Lindstrum had visited her in her new quarters with misgivings. When he was alone he often sat thinking of her and repeating her ardent phrases. This helped him to make love to himself, to seduce the strange companion who lived in the depths of his soul into embracing him. Out of this embrace came words. Out of the ecstacy these hypnotisms induced, he was able to create gigantic phrases, mystic sequences of words whose reading often inspired people with an excitement similar to the emotion that had produced them. Women in particular grew emotional at the contact of his written words. When he read his poetry to some of them who were his friends they closed their eyes and thought he was making love to them.
Lindstrum utilizing the adoration Doris gave him as a means of self-seduction, remained aware of the danger this offered. The danger was summed up in the word "marriage." At twenty-six his sexual impulses found sublimated outlet in the orgies of self-seduction which he called his creative work. Thus his physical nature clamored for no other mate than his own genius, and the lure of marriage as a legalized debauch failed to touch him. His egoism likewise found a more perfect surfeit in his own self-admiration than in that of others. He saw in marriage merely a forfeit of his privacy and an intruder upon his self-love.
Doris studying him carefully from behind her abandonment discovered the barrier.
"I don't want ever to marry," she explained to him. This started talk in which Lindstrum defended marriage as an institution. He grew eloquent on the subject that society and civilization were dependent upon marriage and that a man who sought to dispense with it was merely being unfaithful to himself as a member of society.
Doris saw through the angry phrases of her friend that he was trying to tell her how little he desired her. He was defending marriage and proclaiming his belief in it, in order to excuse his physical indifference toward her, both in his own eyes and hers. Since she had said she thought marriage was an abomination, he could safely defend it without compromising himself. He need have no fear that she would agree with him. In this way his pose as a moralist was a convenient method of concealing the fact that he had no impulse toward immorality. He could even insist with impunity that she marry him and so use her rhetorical stand against marriage in general as a personal refusal.