Coleridge remarked, in summing up his old friend Charles Lamb,[284] that he had more totality and universality of character than any man he had ever known. In some such terms must be couched the eulogy of Hurrell Froude. He is all of a piece. ‘From his very birth,’ as his mother put it, ‘his temperament has been peculiar.’ He knew his mind, and went his way. He, at least, did not
He paid for such concentration of purpose with long oblivion. Biography, a purblind creature, took him at his own valuation, as we have seen, and gathered him not to her bosom. The history of all the other Tractarians was written, the history of the men who lived very long, long enough to see as Cardinal Manning once said, the polarity of England changed, when the one among them who died young was given his chance. Until Dean Church, abetted by Lord Blachford, made his worth plain, in the beautiful subduing art of a book where all is charity and serene wisdom, Froude had inhabited shadow-land, and was less than the phantom of his brother’s brother. Eventually no mystic, but a wide-awake, matter-of-fact person, he yet had always a sort of seal upon him of the objective, the remote, the unearthly. Now that he has his station and we have our perspective, these qualities increase rather than diminish. The enfranchised vision of him now is his inner self, more like a harper than a trumpeter. We seem to see the thin tender face ‘shine’ out of night air, as it shone at parting on his friend at Dartington, fifty-four years before it smiled again at him out of the Light. Time is the only crystal which gives us the souls of men and things. Whatever looks like idealisation there must be the literal truth.
Hurrell Froude’s poet-friend Williams calls him
‘Like to himself alone, and no one else.’
But he is unique without being isolated. His habitual mood was a country of far distances, not unlike his own Devon, where the rote is audible from a stern coast, and the desolate tors stand up abrupt and sharp against the white February horizon: a country which gets, in due season, its own merriment of interlying verdure, and builds a most delicate overhanging opal sky. There is in him, though unexpressed, a wholeness and relativity as of this landscape. His saliency and roguery, his affection, his wistful oddity, his extraordinary intensity of life, the endearing charm which has served to keep his memory bright as racing sea-fire, only remind us the more how fully he belongs to the issues to which he gave himself of old. The temptation to think him a good deal like the sworded poets of the Civil Wars, with their scarcely exerted aptitudes for the fine arts, whose names leave a sort of star-dust along the pages of the anthologies, need not blind us to his severer aspect: he is also a good deal like the more militant among the Saints. His first Editors thought so, and say so in that most fragrant and touching Preface of theirs to his volumes printed in 1839. He was wing and talon to them and to their holy hope. ‘Froude of the Movement’: he is that, first and last. Great as is to the mere humanist eye his individual interest, he cannot fairly be separated for a moment from the ideal to which all that was in him belonged; to which he belongs in its present and its yet unrevealed phases; to which he will belong when, as the very vindication of his foregone career, helping to breathe into successive generations the spirit of cleansing scrutiny and renewing faith, Catholicism shall triumph in England.