'As you know, from last spring I began to love Tashiro-San; and he also fell in love with me. And now, alas!--the influence of our relation in some previous birth having come upon us--and the promise we made each other in that former life to become wife and husband having been broken--even to-day I must travel to the Meido.

'You not only treated me very kindly, though you found me so stupid and without influence, [4] but you likewise aided in many ways for my worthless sake my mother and sister. And now, since I have not been able to repay you even the one myriadth part of that kindness and pity in which you enveloped me--pity great as the mountains and the sea [5]--it would not be without just reason that you should hate me as a great criminal.

Glimpses of an Unfamiliar Japan — Part 170

'But though I doubt not this which I am about to do will seem a wicked folly, I am forced to it by conditions and by my own heart. Wherefore I still may pray you to pardon my past faults. And though I go to the Meido, never shall I forget your mercy to me--great as the mountains and the sea. From under the shadow of the grasses [6] I shall still try to recompense you--to send back my gratitude to you and to your house. Again, with all my heart I pray you: do not be angry with me.

Glimpses of an Unfamiliar Japan — Part 170

'Many more things I would like to write. But now my heart is not a heart; and I must quickly go. And so I shall lay down my writing-brush.

Glimpses of an Unfamiliar Japan — Part 170

'Kane thrice prostrates herself before you.

'Well, it is a characteristic shinju letter,' my friend comments, after a moment's silence, replacing the frail white paper in its envelope. 'So I thought it would interest you. And now, although it is growing dark, I am going to the cemetery to see what has been done at the grave. Would you like to come with me?'

We take our way over the long white bridge, up the shadowy Street of the Temples, toward the ancient hakaba of Miokoji--and the darkness grows as we walk. A thin moon hangs just above the roofs of the great temples.

Suddenly a far voice, sonorous and sweet--a man's voice-breaks into song under the starred night: a song full of strange charm and tones like warblings--those Japanese tones of popular emotion which seem to have been learned from the songs of birds. Some happy workman returning home. So clear the thin frosty air that each syllable quivers to us; but I cannot understand the words: Saite yuke toya, ano ya wo saite; Yuke ba chikayoru nushi no soba.