There is sufficient evidence still left us to show that the olden city of Pollonarua was laid out in a perfectly systematic way, and built up in the most regular manner. Its founders evidently started with a well-perfected purpose. It was not a chance settlement of a few cabins, which gradually increased hither and thither in various directions until it assumed the proportions of a metropolis. Notwithstanding the present confusion, the general features of its topography are clearly discernible amid the mounds of mouldering material. The main street from the principal entrance-gate continued perfectly straight for four miles between royal palms to the opposite extreme of the city, crossed at right angles in the centre by a similar thoroughfare, thus forming two main streets, which terminated at four great gates of entrance and exit to and from the town,--north, east, south, and west. From these main streets radiated lateral and smaller roadways, evidently occupied by humbler dwellings, together with an occasional temple or other public building. The ruins of what is known as the Treasure House of Pollonarua are unusually interesting, as exhibiting some of the finest and best preserved bas-reliefs to be found in Ceylon, and as showing also certain marked peculiarities of skill in architecture which prevailed in pre-Christian times. On either side of the principal thoroughfares of the city were handsome and substantial dwellings, palaces, and sacred temples. The latter, with their gorgeous gilded domes, were dedicated to various pagan gods. Other spacious buildings and open areas were devoted to pleasure entertainments for the masses of the people, not unlike the modern idea of public gardens and outdoor theatres.
Here and there labyrinths of unexplored ruins are entirely hidden by lofty, broad-limbed trees and a tangle of low, dense shrub, as though the big city had been originally built in a forest. We pause, and gaze thoughtfully at the desolation which speaks so emphatically in its dumb way. It is the language in which the decline and fall of great empires is written,--monuments of mutability.
"Tully was not so eloquent as thee, Thou nameless column with the buried base."