"For not to think of what I needs must feel, But to be still and patient all I can; _And haply by abstruse research to steal From my own nature all the natural man_-- This was my sole resource, my only plan; Till that, which suits a part, infects the whole, And now is almost grown the habit of my soul."

Considering the exquisite quality of some poems which Coleridge has composed, nobody can grieve (or _has_ grieved) more than ourselves, at seeing so beautiful a fountain choked up with weeds. But had Coleridge been a happier man, it is our fixed belief that we should have had far less of his philosophy, and perhaps, but not certainly, might have had more of his general literature. In the estimate of the public, doubtless, _that_ will seem a bad exchange. Every man to his taste. Meantime, what we wish to show is, that the loss was not absolute, but merely relative.

Blackwood's Edinburgh Magazine -- Volume 57, No. 351, January 1845 — Part 148

It is urged, however, that, even on his philosophic speculations, opium operated unfavourably in one respect, by often causing him to leave them unfinished. This is true. Whenever Coleridge (being highly charged, or saturated, with opium) had written with distempered vigour upon any question, there occurred soon after a recoil of intense disgust, not from his own paper only, but even from the subject. All opium-eaters are tainted with the infirmity of leaving works unfinished, and suffering reactions of disgust. But Coleridge taxed himself with that infirmity in verse before he could at all have commenced opium-eating. Besides, it is too much assumed by Coleridge and by his biographer, that to leave off opium was of course to regain juvenile health. But all opium-eaters make the mistake of supposing every pain or irritation which they suffer to be the product of opium. Whereas a wise man will say, suppose you _do_ leave off opium, that will not deliver you from the load of years (say sixty-three) which you carry on your back. Charles Lamb, another man of true genius, and another head belonging to the Blackwood Gallery, made that mistake in his _Confessions of a Drunkard_. "I looked back," says he, "to the time when always, on waking in the morning, I had a song rising to my lips." At present, it seems, being a drunkard, he has no such song. Ay, dear Lamb, but note this, that the drunkard was fifty-six years old, the songster was twenty-three. Take twenty-three from fifty-six, and we have some reason to believe that thirty-three will remain; which period of thirty-three years is a pretty good reason for not singing in the morning, even if brandy has been out of the question.

Blackwood's Edinburgh Magazine -- Volume 57, No. 351, January 1845 — Part 148