In full sacerdotal habit the priests wore the apparelled alb, and stole, and over that the dalmatic, and either the cope or the chasuble over all, with the amys thrown back like a hood over the cope or chasuble. Representations of priests _in pontificalibus_ abound in illuminated MSS., and in their monumental effigies, to such an extent that we need hardly quote any particular examples. Representations of the inferior orders are comparatively rare. Examples of deacons may be found engraved in Dr. Rock's "Church of our Fathers," i. 376, 378, 379, 443, and 444. Two others of early fourteenth-century date may be found in the Add. MS. 10,294, f. 72, one wearing a dalmatic of cloth of gold, the other of scarlet, over the alb. Two others of the latter part of the fourteenth century are seen in King Richard II.'s Book of Hours (Dom. A. xvii. f. 176), one in blue dalmatic embroidered with gold, the other red embroidered with gold. A monumental effigy of a deacon under a mural arch at Avon Dassett, Warwickshire, was referred to by Mr. M. H. Bloxam, in a recent lecture at the Architectural Museum, South Kensington. The effigy, which is of the thirteenth century, is in alb, stole, and dalmatic. We are indebted to Mr. Bloxam for a note of another mutilated effigy of a deacon of the fourteenth century among the ruins of Furness Abbey; he is habited in the alb only, with a girdle round the middle, whose tasselled knobs hang down in front. The stole is passed across the body from the left shoulder, and is fastened together at the right hip.
Dr. Rock, vol. i. p. 384, engraves a very good representation of a ninth-century sub-deacon in his tunicle, holding a pitcher in one hand and an empty chalice in the other; and in vol. ii. p. 89, an acolyte, in what seems to be a surplice, with a scarlet hood--part of his ordinary costume--over it, the date of the drawing being _cir._ 1395 A.D. We have already noted the costume of an ostiary at p. 215. In the illuminations we frequently find an inferior minister attending upon a priest when engaged in his office, but in many cases it is difficult to determine whether he is deacon, sub-deacon, or acolyte, _e.g._--in the early fourteenth-century MS., Add. 10,294, at f. 72, is a priest officiating at a funeral, attended by a minister, who is habited in a pink under robe--his ordinary dress--and over it a short white garment with wide loose sleeves, which may be either a deacon's dalmatic, or a sub-deacon's tunic, or an acolyte's surplice. In the Add. MS. 10,293, at f. 154, is a representation of a priest celebrating mass in a hermitage, with a minister kneeling behind him, habited in a white alb only, holding a lighted taper. Again, in the MS. Royal, 14 E. iii. f. 86, is a picture of a prior dressed like some of the canons in our woodcut from Richard II.'s Book of Hours, in a blue under robe, white surplice, and red stole crossed over the breast, and his furred hood on his head; he is baptizing a heathen king, and an attendant minister, who is dressed in the ordinary secular habit of the time, stands beside, holding the chrismatory. In the same history of Richard Earl of Warwick which we have already quoted, there is at f. 213 v., a boy in a short surplice with a censer. In the early fourteenth-century MS., Royal, 14 E. iii. at f. 84 v., is a picture of a bishop anointing a king; an attendant minister, who carries a holy water vessel and aspersoir, is dressed in a surplice over a pink tunic. The surplice is found in almost as many and as different shapes in the Middle Ages as now; sometimes with narrow sleeves and tight up to the neck; sometimes with shorter and wider sleeves and falling low at the neck; sometimes longer and sometimes shorter in the skirt; never, however, so long as altogether to hide the cassock beneath. In addition to the references already given, it may be sufficient to name as further authorities for ecclesiastical costumes generally:--for Saxon times, the Benedictional of St. Ethelwold, engraved in the Archæologia; for the thirteenth century, Queen Mary's Psalter, Royal, 2 B. vii.; for the fourteenth, Royal, 20, c. vii.; for the fifteenth century, Lydgate's "Life of St. Edmund;" for the sixteenth century, Hans Burgmaier's "Der Weise König," and the various works on sepulchral monuments and monumental brasses.