(M42) Herodotus tells us that the grave of Osiris was at Sais in Lower Egypt, and that there was a lake there upon which the sufferings of the god were displayed as a mystery by night.(99) This commemoration of the divine passion was held once a year: the people mourned and beat their breasts at it to testify their sorrow for the death of the god; and an image of a cow, made of gilt wood with a golden sun between its horns, was carried out of the chamber in which it stood the rest of the year.(100) The cow no doubt represented Isis herself, for cows were sacred to her, and she was regularly depicted with the horns of a cow on her head,(101) or even as a woman with the head of a cow.(102) It is probable that the carrying out of her cow-shaped image symbolized the goddess searching for the dead body of Osiris; for this was the native Egyptian interpretation of a similar ceremony observed in Plutarch's time about the winter solstice, when the gilt cow was carried seven times round the temple.(103) A great feature of the festival was the nocturnal illumination. People fastened rows of oil-lamps to the outside of their houses, and the lamps burned all night long. The custom was not confined to Sais, but was observed throughout the whole of Egypt.(104)

This universal illumination of the houses on one night of the year suggests that the festival may have been a commemoration not merely of the dead Osiris but of the dead in general, in other words, that it may have been a night of All Souls.(105) For it is a widespread belief that the souls of the dead revisit their old homes on one night of the year; and on that solemn occasion people prepare for the reception of the ghosts by laying out food for them to eat, and lighting lamps to guide them on their dark road from and to the grave. The following instances will illustrate the custom.

The Golden Bough (Third Edition, Vol. 6 of 12) — Part 24

(M43) The Esquimaux of St. Michael and the lower Yukon River in Alaska hold a festival of the dead every year at the end of November or the beginning of December, as well as a greater festival at intervals of several years. At these seasons, food, drink, and clothes are provided for the returning ghosts in the _kashim_ or clubhouse of the village, which is illuminated with oil lamps. Every man or woman who wishes to honour a dead friend sets up a lamp on a stand in front of the place which the deceased used to occupy in the clubhouse. These lamps, filled with seal oil, are kept burning day and night till the festival is over. They are believed to light the shades on their return to their old home and back again to the land of the dead. If any one fails to put up a lamp in the clubhouse and to keep it burning, the shade whom he or she desires to honour could not find its way to the place and so would miss the feast. On the eve of the festival the nearest male relation goes to the grave and summons the ghost by planting there a small model of a seal spear or of a wooden dish, according as the deceased was a man or a woman. The badges of the dead are marked on these implements. When all is ready, the ghosts gather in the fire-pit under the clubhouse, and ascending through the floor at the proper moment take possession of the bodies of their namesakes, to whom the offerings of food, drink, and clothing are made for the benefit of the dead. Thus each shade obtains the supplies he needs in the other world. The dead who have none to make offerings to them are believed to suffer great destitution. Hence the Esquimaux fear to die without leaving behind them some one who will sacrifice to their spirits, and childless people generally adopt children lest their shades should be forgotten at the festivals. When a person has been much disliked, his ghost is sometimes purposely ignored, and that is deemed the severest punishment that could be inflicted upon him. After the songs of invitation to the dead have been sung, the givers of the feast take a small portion of food from every dish and cast it down as an offering to the shades; then each pours a little water on the floor so that it runs through the cracks. In this way they believe that the spiritual essence of all the food and water is conveyed to the souls. The remainder of the food is afterwards distributed among the people present, who eat of it heartily. Then with songs and dances the feast comes to an end, and the ghosts are dismissed to their own place. Dances form a conspicuous feature of the great festival of the dead, which is held every few years. The dancers dance not only in the clubhouse but also at the graves and on the ice, if the deceased met their death by drowning.(106)

The Golden Bough (Third Edition, Vol. 6 of 12) — Part 24