“Thy scissors, O Sidi, in the Name of the Prophet!”

“‘A touching incident,’” Sidi with equanimity pursued, “‘was just before the English Tea Rooms, where the English Colony had mustered together in force....’”

The Flower Beneath the Foot — Part 64

But alack for those interested. Owing to the clamour about him much of the recital was lost: “‘Cheers and tears.... ... Life’s benison.... Honiton lace.... If I live to be _forty_, it was a moment I shall never forget.... Panic ... congestion.... Police.’”

The Flower Beneath the Foot — Part 64

But it was scarcely needful to peruse the paper, when on the boulevards outside, the festivities were everywhere in full swing. The arrival of the princess for her wedding had brought to Kairoulla unprecedented crowds from all parts of the kingdom, as much eager to see the princess, as to catch a glimpse of the fine pack of beagles, that it was said had been brought over with her, and which had taken an half eerie hold of the public mind. Gilderoy, Beausire, Audrey, many of the dogs’ names were known pleasantly to the crowd already; and anecdotes of Audrey, picture-postcards of Audrey, were sold as rapidly almost as those even of the princess. Indeed mothers among the people had begun to threaten their disobedient offspring with Audrey, whose silky, thickset frame was supported, it appeared, daily on troublesome little boys and tiresome little girls....

The Flower Beneath the Foot — Part 64

“Erri, erri, get on with thy bouquet, oh Lazari Demitraki!” Bachir exclaimed in plaintive tones, addressing a blonde boy with a skin of amber, who was “charming” an earwig with a reed of grass.

“She dance the _Boussadilla_ just like in the street of Halfaouine in Gardaïa my town any Ouled Nail!” he rapturously gurgled.

“Get on with thy work, oh Lazari Demitraki,” Bachir besought him, “and leave the earwigs alone for the clients to find.”

“What with the heat, the smell of the flowers, the noise of you boys, and with filthy earwigs Boussadillaing all over one, I feel I could _swoon_,” the voice, cracked yet cloying, was Peter Passer’s.

He had come to Kairoulla for the “celebrations,” and also, perhaps, aspiring to advance his fortunes, in ways known best to himself. With Bachir, his connection dated from long ago, when as a Cathedral choir-boy it had been his habit to pin a shoulder, or bosom-blossom to his surplice, destroying it with coquettish, ring-laden fingers in the course of an anthem, and scattering the petals from the choir-loft, leaf by leaf, on to the grey heads of the monsignori below.