The Pellerhaus monument (referred to as Mayersches Pellerhaus in relation to the post-war building) is an archive and library building on Egidienplatz in Nuremberg's old city centre. It extends over the area of the historic Pellerhaus and the historic Imhoff house to the east of it, which was rebuilt after the war in the contemporary design of the late 1950s.
An important art and architectural Renaissance building stood here before its destruction in 1944 to 1945 during the bombing of Nuremberg in World War II. The ground floor and parts of the courtyard have been preserved and were integrated into the new building in 1955/1957. At that time, the funds for the complete reconstruction were lacking, but modern Mayer architects' building became an outstanding example of 1950s architecture and is part of Nuermbergs modern Cultural heritage since 1998. From 2008 to 2018, the courtyard was reconstructed through the initiative of the cultural organisation Old Town Friends Nuremberg (Altstadtfreunde Nürnberg) using donations. The Old Town Friends intend to reconstruct the entire Pellerhaus to its original design, but this is widely discussed as a controversial issue.
Historic Pellerhaus
Architecture
The old Pellerhaus found its way into art history as an outstanding example of a town house from around 1600. Martin Peller had the house built from 1602 to 1605. Peller and his family moved into the house in 1625. He died there four years later. The Peller's family lived in the house until 1828.
The Pellerhaus was composed of a front building, courtyard and a rear building, a style typical of classic Nuremberg. However, the front building facade was an exceptionally complex form for Nuremberg. Instead of a reserved, eaves-like facade, as was customary in Nuremberg, it was more reminiscent of the trading houses of the North German or Hanseatic area.
Two stories and three attics rose above the base floor of rusticated pillow blocks. The seven window axes were flanked by pilasters that ended above the triangular gable in richly decorated obelisks. Up to the height of the eaves, the pilasters took over the rustic structure of the basement, above which they were covered with fittings. In the top of the gable, two hermen pilasters carried a shell with the chronogram "CVM Deo", which referred to the year 1605. The facade was completed with a Jupiter statue. Further accents on the central axis were a choir above the entrance portal, as well as a relief of St. Martin of Tourson the third floor, which alluded to the name of the owner Martin Peller.
The courtyard had arcades that rose on octagonal pillars, with two gallery corridors above them. The rear building did not have a gallery on its facade. Instead, it had a striking bay window, which was supposed to take away the tube-like character of the narrow courtyard. The parapets were designed with Gothic-style tracery, with no repetitive ornamentation.
The interior of the Pellerhaus was also very elaborately decorated. The entrance hall is divided into nine roughly square yokes with Gothic ribbed vaults. In the so-called "beautiful room" the walls were lined with lavishly carved panelling, while the ceiling was decorated with ceiling paintings. The subject of the painting was Phaethon on the sun chariot surrounded by ancient figures of gods and allegorical figures. Another state hall also had a magnificent wall covering and a coffered ceiling.
The Pellerhaus was spared extensive conversions over the years and by the time of its destruction, was largely in its original state. In 1929, the city of Nuremberg bought the Pellerhaus from private ownership in order to use it as a city archive. In 1934, the Pellerhaus was completely restored by order of the city of Nuremberg.
Destruction and reconstruction
During an air raid on Nuremberg on October 3, 1944, the Pellerhaus was severely damaged by explosive devices and burned out completely when the Royal Air Force attacked on January 2, 1945. Large parts of the house collapsed on January 3, 1945. Part of the ground floor with the entrance hall, the stair tower, the cellar and large parts of the arcade courtyard have been preserved.
In 1952 the "Ideas Competition for the Reconstruction of Egidienplatz" was announced. The 1st prize of the competition was won by the Nuremberg architects Fritz and his son Walter Mayer. The design envisaged a complete development on the site in functional forms typical of the time. The remains of the old Pellerhaus were to be preserved and a contemporary magazine building was built on the partially reconstructed base floor, which was used to store archive materials.