The one really useful piece of knowledge he possessed had not been taught him at the Madrasseh--he had picked up French by himself, he told me. I could have wished that he had picked it up in a somewhat less fragmentary condition, for his translations did but little to define the meaning of the original Persian. We read some of Hafiz together, but the Sheikh had only one gender at his disposal, and the poet’s impassioned descriptions of his mistresses were always conveyed to me in the masculine. ‘Boucles de cheveux’ seemed at first a strange beauty in a lady, but custom, the leveller of sensations, brought me to accept without question even this Gorgon-like adornment. The Sheikh took a particular pleasure in the more philosophical verses. Over these I would puzzle for long hours, and in all innocence arrive at the conclusion that some anecdote of angels, or what not, appertaining, doubtless, to the Mohammedan religion, was related in them. The Sheikh would then proceed to annotate them in halting French, pointing out that a pun was contained in every rhyme, that half the words bore at the smallest computation two or three different meanings, and that therefore the lines might be done into several English versions, each with an entirely different significance, and each an equally truthful rendering of the Persian. At this my brain would begin to whirl. I was unable to deal with the confusion of difficulties among which the Sheikh Hassan was delightedly battling; it was enough for me if I could seize some of the beauty which lay like a sheath about the poems, the delicate, exquisite rhythm of the love-songs, the recurrent music of the rhyme, and the noble swing of the refrains. I received and admired their proud stoicism as it stood written: women were women and wine red wine for me, the cup-bearer was the person whose advent was most eagerly to be greeted; roses and nightingales, soft winds and blooming gardens, were all part of a beautiful imaginative world, and fit setting for a poet’s dreams.

But this was wilful stupidity. If I had listened to the wisdom of Sheikh Hassan, I should have realized that we were in the midst of sublime abstractions, and that the most rigid morality and the strictest abstinence were inculcated by those glowing lines. In practice, however, I had the poets themselves on my side; the days of Hafiz sped merrily, if tradition has not belied him, and the last prayer of the Tent-Maker was that he might be buried in a rose-garden, where the scented petals would fall softly upon his head and remind him after his death of the joys he had loved on earth.

Safar Nameh, Persian Pictures — Part 40