He leaned back to enjoy to the full this humorous legacy to himself, but the expression of Sheila's face checked it. "Say, boss, you don't like what I've done, do you? Run it out and dump it; I can stand for straight talk from you."

Sheila felt repelled even more than she had at first. To have a man at the point of death throw his money into a heap of marble just to keep it from doing good to any one seemed horrible. And yet the man spoke so consistently for himself. He had lived in the flesh and for the flesh all his days; it was not strange that there was no spirit to interpret now for him or to give him the courage to be generous in the face of what the world would think.

Leerie — Part 28

"It's yours to spend as you like--only--I hate monuments. Rather have the plain green grass over me. And don't you think it's queer yourself that a man who had the grit to make himself and a pile of money hasn't the grit to leave it invested after he goes, instead of burying it? Supposing you can't live and use it yourself! That's no reason for not letting your money live after you. I'd want to keep my money alive."

Leerie — Part 28

"Just what I say--alive. Charity isn't the only way to dispose of it. Leave it to science to discover something new with; give it to the laboratories to study up typhoid or cancer. Ever think how little we know about them?"

Leerie — Part 28

"Why should I? I don't owe anything to science."

"Yes, you do. What developed the need of coal--what gave you the facilities for removing it from your mines? Don't tell me you or anybody else doesn't owe something to science."

The old man had a good night. He dozed as peacefully as if he had not required propping up and occasional hypodermics to keep his lungs and heart going properly, and when the house doctor made his early rounds this sad and shocking spectacle met his eye: the dying coal magnate, arrayed in a fresh and more vivid suit of heliotrope pajamas, smoking a brierwood and keeping a violent emotional pace with the hero in the thrillingest part of the thriller. Even Sheila's cheeks were tinged with excitement.

"Miss O'Leary!" All the outraged sensibilities of an orthodox, conscientious young house physician were plainly manifested in those two words.

Out shot the brierwood like a projectile, and a giant finger wagged at the intruder. "Look-a-here, young man, the boss and I are running this--er--quitting game to suit ourselves, and we don't need no suggestions from the walking delegate, or the board of directors, or the gang. See? Now if you can't say something pleasant and cheerful, get out!"