"I shall go and hear what they say," repeated madame de Val Fleury, deeply mortified. "What is your name?"

"Put it down for me, and your private address. If what I hear convinces me perhaps we may come to terms."

To Tell You the Truth — Part 104

All night the old woman dreamt she was again of surpassing loveliness, the envy of all the women of her world.

To Tell You the Truth — Part 104

She went to Brittany the same week, and returned palpitating with the tales that had been told her. She agreed with mademoiselle Cheron to pay 120,000 francs if the metamorphosis occurred, and it was arranged that, when the time came, they should travel to St. Pierre des Champs together.

To Tell You the Truth — Part 104

In the meanwhile her rapturous reflections were not free from anxiety. If the dawning of the longed-for date should indeed yield her Berthe Cheron's face, she would be no longer recognised as madame de Val Fleury. Her social circle would not know her; monsieur Septfous, her banker--she banked at a private bank, and monsieur Septfous was practically her man of business--would not know her; her servants themselves would not know her when she came back to Paris. To explain would be to meet with perpetual embarrassments. On the whole, the best plan would be to change her name as well. It would mean relinquishing a few friendships that she valued, but----Again, she foresaw herself dazzlingly fair, and caught her breath. Her loveliness would compensate a million-fold.

Her income was derived chiefly from Municipal Bonds and Métro shares. At the bank she had also a substantial sum on deposit. She told monsieur Septfous that she had decided to spend the rest of her life in the country, and she took a draft, payable to bearer, for the full amount of cash, and removed her box of securities.

She determined to call herself madame de Beaulieu.

Late on the evening of the 6th of September the old woman and the girl arrived at St. Pierre des Champs.

They had expected to arrive earlier, but the train crept into Pont Chouay at 7.30 instead of 5.15, and thence they were dependent on the local fiacres, which were hard to find and slow to move. Madame de Val Fleury reached the village, impatient and fatigued.

In the little moonlit market-place, with its vacant stalls, when they entered it at last, many figures circulated, scrutinising one another's features eagerly. Most of the men and women bore lanterns, and one of the stalls had evidently been sub-let for the evening; under the sign "Christophe: Cheese, Eggs, and Butter," a humpback had electric torches for sale. As the pair made their way, across the cobbles, to the shrine that had been erected beside the water-mill, no face of much beauty met their view. The sellers appeared to be chiefly buxom peasant girls, wholesome looking, but no more. Those who had come to buy were of types more various. Here, an old roue, fraudulently dyed and painted, peered avidly at the features of a youth, who raised his lantern and rebuffed him with a jeer. There, an individual with crafty lips and predatory eyes, obviously a sharper, was to be seen bargaining for the physiognomy of a simpleton. A man with a round humorous face darted each moment from one melancholy countenance to another, and a passer-by said, loud enough to be overheard: "Look at Jibily, the low comedian--he is crazy to play tragic parts!" Irritating and incessant was the shrill outcry of a female broker, hobbling with a file of maids-of-all-work at her heels. "Fine faces cheap!" clamoured the crone. "Fine faces cheap!"