Comte Maxime de Trailles now found himself the object of all glances, direct and indirect, standing as he did before the fireplace and illumined by the cross-lights of two candelabra. The few words said about him compelled him, in a way, to bear himself proudly; and he did so, like a man of sense, without arrogance, and yet with the intention of showing himself to be above suspicion. A painter could scarcely have found a better moment in which to seize the portrait of a man who, in his way, was truly extraordinary. Does it not require rare faculties to play such a part,--to enable one through thirty years to seduce women; to constrain one to employ great gifts in an underhand sphere only,--inciting a people to rebel, tracking the secrets of austere politicians, and triumphing nowhere but in boudoirs and on the back-stairs of cabinets?
Is there not something, difficult to say what, of greatness in being able to rise to the highest calculations of statesmen and then to fall coldly back into the void of a frivolous life? Where is the man of iron who can withstand the alternating luck of gambling, the rapid missions of diplomacy, the warfare of fashion and society, the dissipations of gallantry,--the man who makes his memory a library of lies and craft, who envelops such diverse thoughts, such conflicting manoeuvres, in one impenetrable cloak of perfect manners? If the wind of favor had blown steadily upon those sails forever set, if the luck of circumstances had attended Maxime, he could have been Mazarin, the Marechal de Richelieu, Potemkin, or--perhaps more truly--Lauzun, without Pignerol.
The count, though rather tall and constitutionally slender, had of late acquired some protuberance of stomach, but he “restrained it to the majestic,” as Brillat-Savarin once said. His clothes were always so well made, that he kept about his whole person an air of youth, something active and agile, due no doubt to his habits of exercise,--fencing, riding, and hunting. Maxime possessed all the physical graces and elegances of aristocracy, still further increased by his personally superior bearing. His long, Bourbonine face was framed by whiskers and a beard, carefully kept, elegantly cut, and black as jet. This color, the same as that of his abundant hair, he now obtained by an Indian cosmetic, very costly and used in Persia, the secret of which he kept to himself. He deceived the most practised eye as to the white threads which for some time past had invaded his hair. The remarkable property of this dye, used by Persians for their beards only, is that it does not render the features hard; it can be shaded by indigo to harmonize well with the individual character of the skin. It was this operation that Madame Mollot may have seen,--though people in Arcis, by way of a jest, still ask themselves what it was that Madame Mollot saw.