Designers of transitional style (Louis XV.—Louis XVI.), 256–257
Directoire style, 285, 367, 370, 374, 375, 379–380
Empire style, characteristics of, 372–374
——, relations with the Netherlands, 37–38
Evelyn, John, quotations from, 50–51, 112–113, 114–115
—— style, Heppelwhite’s admiration of, 316
_Gentlemen and Cabinet-Maker’s Director, The_, 135, 222, 223, 224, 247
Gobelins, manufacture des, established, 66
Gobelins, artists and artisans employed at the, 66
——, designs (Chippendale), 228, 235, 241–243
Gouvernet, La Marquise de, inventory of, 121–126
House (Louis XV.), description of, 182–185
_Industrious Apprentice_, escritoire in, 152
Jacobean furniture. Tudor and Flemish mixture in, 37
_Journal de la mode_, quotation from, 367–368
Line, the straight, insistence of the, 253–254
——, transitional from, to Louis XVI., 195
Mademoiselle, La Grande, quotations from, 91, 111–112
Mazarin, Cardinal, 4, 12, 13, 18, 21, 28, 30, 32
Monkeys in decoration, 141, 142, 161, 211
Netherlands, influence of, on Jacobean furniture, 37
—— (Chippendale’s), 227, 229–230, 237, 247
Osterley Park, Adam decorations at, 304–305
Porcelain as a decoration for furniture, 256
_Principes de l’art du tapissier_, quotation from, 196
—— style, characteristics of the, 141–142
Rochefort, Mme. la Maréchale, cabinet of, 97–98
—— (Louis XV.), 171–172, 174–175, 182–183
Secretary and bookcase (Sheraton), 359–360
Shakespeare, quotations from, 38–39, 53–54, 55
——, quotations from, 331–332, 332–333, 335, 335–336, 336–338, 338–342, 342–343, 343–344, 344–345, 345–346, 346–347, 348–349, 350, 350–351, 352–355, 357, 357–358
—— (Chippendale), 239–241, 240–241, 242–244, 246–247
——, tambour writing and bookcase, 324–326
Talmont, Mme. la Princesse de, apartment of, 189–191
_Taming of the Shrew_, quotation from, 38–39
Taste in England, Ware’s criticism of, 138–140
—— home, Shakespeare’s description of a, 38–39
Ware, Isaac, quotations from, 138–140, 145–148, 149–150
Window-curtains (Early Georgian), 153–154
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1. Changed “feet long” to “feet wide” on p. 78. 2. Changed “dairy” to “diary” on p. 112. 3. Silently corrected typographical errors. 4. Retained anachronistic and non-standard spellings as printed. 5. Enclosed italics font in _underscores_. 6. Superscripts are denoted by a carat before a single superscript character or a series of superscripted characters enclosed in curly braces, e.g. M^r. or M^{ ister}.