Sunday makes no difference, certainly not Christmas, except for a little more drunkenness, and a little extra effort on the part of the hotel keepers to take in more money.
[8] Copyright, 1905, by the Arthur H. Clark Company.
Adrien Emmanuel Rouquette, Louisiana's most distinguished poet, was born at New Orleans, February 13, 1813, the scion of an old and honorable Creole family, and the brother of Francois Dominique Rouquette (1810-1890), who was also a poet of much merit. From his boyhood he had a great fancy for the American Indian, and among them he spent many of his early years. His academic training was begun at Transylvania University of Lexington, Kentucky, but as the old matriculation books have disappeared, it now seems quite impossible to definitely fix his period of residence. From Lexington Rouquette journeyed to Paris, France, where he studied at the Royal College and at Nantes and Remnes. He was graduated from Remnes, March 26, 1833, and at once returned to New Orleans. He had, however, developed into such an unconventional fellow his family decided that a law course in Paris was what he needed, so back to the capital of the French he went. He soon abandoned the law and again returned to New Orleans, where he took up his abode among the Indians. In 1841 Rouquette published his first and best book of poems, written wholly in French, entitled _Les Savanes_ (Paris and New Orleans). Nearly all of the poems were upon Louisiana subjects, save the finest one, _Souvenir de Kentucky_, an exquisite memorial of his Kentucky days, written in 1838. As he was partly educated in Kentucky and in praise of Kentucky wrote his masterpiece, this State has a double claim upon him which, though secondary to that of Louisiana, is none the less legitimate. In 1842 the poet began his studies for the priesthood, and three years later he was ordained and attached to the Catholic cathedral at New Orleans. His subsequent works include _Discours prononce a la Cathedral de Saint Louis_ (New Orleans, 1846); _Wild Flowers_ (New Orleans, 1848); _La Thebaide en Amerique_ (New Orleans, 1852); _L'Antoniade_ (New Orleans, 1860), a long poem in which a solitary life is extolled; _Poemes patriotiques_ (New Orleans, 1860); _St. Catherine Tegehkwitha_ (New Orleans, 1873); and, _La Nouvelle Atala_ (New Orleans, 1879). In 1859 the Abbé Rouquette established a mission for the Choctaw Indians on the Bayou Lacombe, to which work he gave the larger part of his life. Rouquette also turned into French the poems of Estelle Anna Lewis (1824-1880), the Baltimore woman whom Poe admired; and he edited _Selections from the Poets of all Countries_. The three great Louisiana writers, Rouquette, the poet, Fortier, the critic, and Gayarré, the historian, published pamphlets condemnatory of Mr. George W. Cable's conceptions of Creole life and history as set forth in his many books. The Abbé sent his out anonymously, entitled _Critical Dialogue between Aboo and Caboo on a New Book, or a Grandissime Ascension_, edited by E. Junius (Great Publishing House of Sam Slick Allspice, 12 Veracity street, Mingo City, 1880). From the Creole standpoint _The Grandissimes_ most probably deserved to be satirized, but not in the cheap and easy manner of this little pamphlet. It was a very unhappy swan-song of senility for the Abbé Rouquette. He died at New Orleans, July 15, 1887, lamented by his city and state. Sainte-Beuve, though recognizing the influence of Chateaubriand in Rouquette's work, praised him highly, as did many of the other famous French critics of his day and generation.