So far matters went smoothly, and the barons and citizens looked longingly for the arrival of Prince Louis, whom they daily became more eager to welcome as a deliverer. But their patience was put to a trial; and Easter passed, and May Day passed, and the “merry, merry month of May” was rapidly running its course, and still the French prince lingered.
A week before May Day Hugh de Moreville reached Paris, and did all that he could, on the part of the Anglo-Norman barons, to hasten the preparations, and hurry the departure of Prince Louis. Matters, however, did not go so satisfactorily as he could have wished. Philip Augustus was grave and reluctant; Louis, like his paternal grandfather, was pompous, slow, and somewhat sluggish; and the only person whose ideas on the subject moved as rapidly as those of De Moreville was Blanche of Castile, who inherited energy and intellect that would have made her, if of the other sex, quite equal to the occasion. As it was, however, De Moreville found much difficulty in persuading Louis to take the ultimate step which might expose him to the censures of the Church; and, on the eve of a great banquet, he conceived the project of surprising the prince into one of the vows of chivalry considered too serious to be broken or treated with indifference.
Now among the vows of chivalry in fashion at that period the most solemn were known as “the vow of the peacock,” “the vow of the pheasant,” “the vow of the swans,” and “the vow of the cranes.” All these birds were esteemed noble; and the peacock was, in a particular manner, accounted proper food for the valiant and the amorous; and, when the vow was about to be made the bird was roasted, decked in its most beautiful feathers, and made its appearance on a basin of gold and silver, and was carried by ladies, magnificently dressed, to the assembled knights, who with all formality, made their vows over the bird in the presence of the company. But it was neither the vow of the peacock, nor the pheasant, nor the swans, nor the cranes, with which Hugh de Moreville was about to surprise the heir of France.
On the morning before the royal banquet was to be given on May Day in the palace which Philip Augustus, while embellishing and paving Paris, had built beside the great tower of the Louvre, Hugh de Moreville rode out of the city with a little falcon on his wrist, and a spaniel running at his horse’s feet, as if to recreate himself with sport, and went fowling along the banks of the Seine till he caught a heron, which was the bird of which he was in search. Returning to Paris with the heron, he ordered it to be cooked, and placed between two dishes of silver; and, having pressed into his service two fiddlers, and a man who played the guitar, and secured the assistance of two young ladies--the daughters of a count--to carry the dishes, and to sing songs, he, at the hour appointed for the banquet, proceeded to the Louvre, and entered the great hall, where Louis and Blanche of Castile were presiding at a board, surrounded by young nobles of great name, and dames and demoiselles celebrated for grace and elegance. The prince had what is called the Capet face, with the large, long, straight nose, slanting forward, and hanging over the short upper lip, and was no beauty; but the princess inherited the features of her maternal ancestors, and was fair and fascinating to behold as in the days when, in her youthful widowhood, she won the heart and inspired the muse of Thibault of Champagne. Among the company were the Count of Perche, the Viscount of Melun, the Count of Nevers, and the young Lord Enguerraud De Coucy, one of that proud house whose chiefs had on their banners the motto disclaiming the rank of king:--