Take M. Ingres, for instance. He is, it seems, quite a tremendous potentate. I recognize his legitimate sway, like that of Prester John, or of the Great Mogul. Only I happen not to obey it, for I am a born subject of the King of Hearts. And who should that be but Apollo-Wolfgang-Amadeus, driving with easy wrist his teams, tandem or abreast, of winged, effulgent melodies?
It was raining, as I told you, that morning which I spent in the Ingres Museum at Montauban. It was raining melted snow in hurricanes off the mountains that other day of travel, and I was on the top of a Tyrolese diligence. The roads were heavy; and we splashed slowly along the brink of roaring torrents and through the darkness of soaked and steaming fir woods. At the end of an hour's journey we had already lost four. "If you stop to dine," said successive jack-booted postilions, quickly fastening the traces at each relay, "you will never catch the Munich train at Garmisch. But the Herrschaften will please themselves in the matter of eating and drinking." So the Herrschaften did not please themselves at all, but splashed along through rain and sleet, through hospitable villages all painted over with scrollwork about beer, and coffee, and sugar-bakery, and all that "Restoration" which our poor drenched bodies and souls were lacking so woefully. For we had stalls at the Court Theatre of Munich, and it was the last, the very last, night of "The Magic Flute"! The Brocken journey on the diligence-top came to an end; the train at Garmisch was caught by just two seconds; we were safe at Munich. But I was prone on a sofa, with a despairing friend making hateful attempts to rouse me. Go to the play? Get up? Open my eyes to the light? My fingers must have fumbled some feeble "no," beyond all contradiction. "But your ticket--but 'The Magic Flute'--but you have come three days' journey on purpose!" I take it my lips achieved an inarticulate expression of abhorrence for such considerations. After that I do not exactly know what happened: my exhausted will gave way. I was combed and brushed, thrust into some manner of festive apparel, pushed into a vehicle, pulled out of it, and shoved along, by the staunch and (as it seemed) brutal arm of friendship, among crimson and gilding and blinding lights all seen at intervals through half-closed eyes. A little bell rang, and I felt it was my death knell. But through the darkness of my weltering soul (for I was presumably dead and undoubtedly damned) there marched, stood still, and curtsied majestically towards each other, the great grave opening chords of the overture. And when they had delivered, solemnly, their mysterious herald's message and subsided, off started the little nimble notes of the fugue, hastening from all sides, meeting, crossing, dispersing, returning, telling their wonderful news of improbable adventures; multitudinous, scurrying away in orderly haste to protect the hero and heroine, and be joined by other notes, all full of inexhaustible good-will; taking hands, dancing, laughing, and giving the assurance that all is for the best in the world of enchantment, in the world of bird-calls, and tinkling triangles and magic flutes, under the spells of the great Sun-priest and Sun-god Mozart. I opened my eyes and had no headache; and sat in that Court Theatre for three mortal hours, in flourishing health and absolute happiness, and would have given my soul for it to begin immediately all over again.