In a corner of the room and apart from the more ostentatious homage, stood on a small table a large market-basket, in which was lying a huge red fish, a roguish, rollicking mullet with a roving eye, all made out of a soft crinkly silk. In the basket beneath it were rolls and rolls of plain silk, red and white. This was an offering from the Japanese community in London, the conventional wedding present of every Japanese home from the richest to the poorest, varying only in size and splendour. On another small table lay a bundle of brown objects like prehistoric axe heads, bound round with red and white string, and vaguely odorous of bloater-paste. These were dried flesh of the fish called _katsuobushi_ by the Japanese, whose absence also would have brought misfortune to the newly married. Behind them, on a little tray, stood a miniature landscape representing an aged pine-tree by the sea-shore and a little cottage with a couple of old, old people standing at its door, two exquisite little dolls dressed in rough, poor kimonos, brown and white. The old man holds a rake, and the old woman holds a broom. They have very kindly faces and white silken hair. Any Japanese would recognise them at once as the Old People of Takasago, the personification of the Perfect Marriage. They are staring with wonder and alarm at the Brandan sapphires, a monumental _parure_ designed for the massive state of some Early-Victorian Lady Brandan.

Asako Fujinami had spent days rejoicing over the arrival of her presents, little interested in the identity of the givers but fascinated by the things themselves. She had taken hours to arrange them in harmonious groups. Then a new gift would arrive which would upset the balance, and she would have to begin all over again.

Kimono — Part 6

Besides this treasury in the dining-room, there were all her clothes, packed now for the honeymoon, a whole wardrobe of fairy-like disguises, wonderful gowns of all colours and shapes and materials. These, it is true, she had bought herself. She had always been surrounded by money; but it was only since she had lived with Lady Everington that she had begun to learn something about the thousand different ways of spending it, and all the lovely things for which it can be exchanged. So all her new things, whatever their source, seemed to her like presents, like unexpected enrichments. She had basked among her new acquisitions, silent as was her wont when she was happy, sunning herself in the warmth of her prosperity. Best of all, she never need wear kimonos again in public. Her fiancé had acceded to this, her most immediate wish. She could dress now like the girls around her. She would no longer be stared at like a curio in a shop window. Inquisitive fingers would no longer clutch at the long sleeves of, crinkled silk, or try to probe the secret of the huge butterfly bow on her back. She could step out fearlessly now like English women. She could give up the mincing walk and the timid manner which she felt was somehow inseparable from her native dress.

Kimono — Part 6