Startling as the statement was, when Narkom and the rest came on tiptoe to the end of the trampled path and peeped around the last screening bush into the open beyond, they found it to be the case.

Blurred, shadowy, mist wrapped--like the ghost of a house set in a ghostly garden--there stood the long-abandoned building, its blank upper windows lost in the wrapping fog; its dreary face toward the distant road; its bleak, unlovely side fronting the point from which Narkom and his men now viewed it; and from one of the two side windows thin wavering lines of constantly shifting light issued from beneath the shadow of a veranda.

The Riddle of the Night — Part 10

"Candlelight, sir, and a draught somewhere, nobody moving about," whispered Hammond. "Window or a door open--that's what makes the light rise and fall. What an ass! Barricaded the window and never thought to stop up the chinks. Lord, for a fellow clever enough to get away from the constable and the keeper in the manner he did, you'd never look for an idiot's trick like this."

The Riddle of the Night — Part 10

Narkom might have reminded him that it was an old, old failing on the part of the criminal class, this overlooking some trifling little point after a deed of almost diabolical cunning; but at present he was too much excited to think of anything but getting into that lighted room and nabbing his man before he slipped the leash again and escaped him.

The Riddle of the Night — Part 10

Ducking down he led a swift but soundless flight across the open space until he and his allies were close up under the shadow of the building itself, where he made the rather surprising discovery that the rear door was unlocked. Through this they made their way down a passage, at the end of which was evidently the room they sought, for a tiny thread of light lay between the door and the bare boards of the passage. Here they halted a moment, their nerves strung to breaking point and their hearts hammering thickly as they now heard a faint rustling movement and a noise of tearing paper sounding from behind it.

For a moment these things alone were audible; then Narkom's hand shot upward as a silent signal; there was a concerted movement, a crash that carried a broken door inward and sent echoes bellowing and bounding from landing to landing and wall to wall, a gush of light, a scramble of crowding figures, a chorus of excited voices, and--the men of Scotland Yard were in the room.