The first number of the _Sketch Book_ appeared in May, 1819, and consisted mainly in point of merit of two papers, _The Wife_ and _Rip Van Winkle_. The series was finished in 1820. The work was highly successful in America, and Irving was deeply moved by the cordial expressions of praise that reached him. His manly nature is revealed in a letter to a friend in which he says,--"I hope you will not attribute all this sensibility to the kind reception I have met to an author's vanity. I am sure it proceeds from very different sources. Vanity could not bring the tears into my eyes as they have been brought by the kindness of my countrymen. I have felt cast down, blighted, and broken-spirited, and these sudden rays of sunshine agitate me more than they revive me. I hope--I hope I may yet do something more worthy of the appreciation lavished on me."
Irving had not intended to publish the _Sketch Book_ in England, but owing to reprints by others he was obliged to take the matter in his own hands. Murray refused to undertake the work. Then Irving became his own publisher. But the work sold so well that Murray bought the copyright for two hundred pounds.
In 1826 we find Irving in Spain. To the American reader the name of Spain is forever associated with that of Irving, for _The Alhambra_, _The Conquest of Granada_, and _The Life of Columbus_ are the rich evidences of his absorption of the spirit of Spain. The _Life of Columbus_ was written with great care. Irving wanted to produce something that would do credit to the scholarship of his loved America. Murray paid about fifteen thousand dollars for the English copyright. For the _Conquest of Granada_ he received ten thousand dollars, and for _The Alhambra_ a Mr. Bentley paid five thousand.
While Irving was in Madrid one of his most welcome visitors was Longfellow, then a young man of twenty, fresh from college. Writing to his father Longfellow says,--"Mr. Rich's family is very agreeable, and Washington Irving always makes one there in the evening. This is altogether delightful, for he is one of those men who put you at ease with them in a moment. He makes no ceremony whatever with one, and of course is a very fine man in society, all mirth and good humor. He has a most beautiful countenance, and a very intellectual one, but he has some halting and hesitating in his conversation, and says very pleasant, agreeable things in a husky, weak, peculiar voice. He has a dark complexion, dark hair, whiskers already a little gray. This is a very offhand portrait of so illustrious a man."