Such an appearance it had on Midsummer Eve of this year, and as the hour grew later, and nine o’clock drew on, the irradiation of the daytime became broken up by weird shadows and ghostly nooks of indistinctness. Imagination could trace upon the trunks and boughs strange faces and figures shaped by the dying lights; the surfaces of the holly-leaves would here and there shine like peeping eyes, while such fragments of the sky as were visible between the trunks assumed the aspect of sheeted forms and cloven tongues. This was before the moonrise. Later on, when that planet was getting command of the upper heaven, and consequently shining with an unbroken face into such open glades as there were in the neighborhood of the hamlet, it became apparent that the margin of the wood which approached the timber-merchant’s premises was not to be left to the customary stillness of that reposeful time.
Fitzpiers having heard a voice or voices, was looking over his garden gate—where he now looked more frequently than into his books—fancying that Grace might be abroad with some friends. He was now irretrievably committed in heart to Grace Melbury, though he was by no means sure that she was so far committed to him. That the Idea had for once completely fulfilled itself in the objective substance—which he had hitherto deemed an impossibility—he was enchanted enough to fancy must be the case at last. It was not Grace who had passed, however, but several of the ordinary village girls in a group—some steadily walking, some in a mood of wild gayety. He quietly asked his landlady, who was also in the garden, what these girls were intending, and she informed him that it being Old Midsummer Eve, they were about to attempt some spell or enchantment which would afford them a glimpse of their future partners for life. She declared it to be an ungodly performance, and one which she for her part would never countenance; saying which, she entered her house and retired to bed.
The young man lit a cigar and followed the bevy of maidens slowly up the road. They had turned into the wood at an opening between Melbury’s and Marty South’s; but Fitzpiers could easily track them by their voices, low as they endeavored to keep their tones.