YEISHIN is known only by half a dozen prints; these, though attractive, are not as greatly prized as their scarcity might lead one to expect.

CHOTENSAI YEIJU is a slightly stiff and not very interesting disciple whose work is rare.

Chats on Japanese Prints — Part 97

YEICHO also is notable chiefly for his rarity.

Chats on Japanese Prints — Part 97

YEIRU followed his master with little originality.

Chats on Japanese Prints — Part 97

YEIKI and SORAKU are later unimportant pupils who followed Utamaro also.

In robes like clouds of sunset rolled About the dying sun, In splendid vesture of purple and gold That a thousand toiling days have spun For thee, O imperial one!--

With the cunning pomp of the later years, With their pride and glory and stress, Thou risest; and thy calm forehead bears These like a crown; but thy frail mouth wears All of their weariness.

Thou art one of the great who mayest stand Where Cleopatra stood: Aspasia, Rhodope, at each hand; And even the proud tempestuous mood Of Sappho shall rule thy blood.

Thy throat, in its slender whiteness bare, Seems powerless to sustain The gorgeous tower of thy gold-decked hair-- Like a lily's stem which the autumn air Maketh to shrink and wane.

More haunting music, more luring love Round thy sinuous form hold sway Than the daughters of earth have knowledge of For thou art the daughter of fading day, Touched with all hope's decay.

And the subtle languor, the prismic glow Of a ripeness overpast Burns through the wonderful curving flow Of thy garments; and they who love thee know A loathing at the last.

For they are the lovers of living things-- Stars, sunlight, morning's breath; But thou, for all that thy beauty brings Such songs as the summer scattereth-- Thou art of the House of Death.

But there was one in thy golden day Who saw thy poppied bloom, And loved not thee but the heart's decay That filled thee, and clasped it to be alway His chosen and sealèd doom.

He who this living portrait wrought, Outlasting time's control, A dark and bitter nectar sought Welling from poisoned streams that roll Through deserts of the soul.

Ah, dreamer! come at last where dreams Can serve no more thy need, Who hast by such bright silver streams Walked with thy soul that now earth seems A waste where love must bleed--

Thou whom such matchless beauty filled Of visions frail and lone, For thee all passion now is stilled; Thy heart, denied the life it willed, Desireth rather none.