[Footnote 106: The reader must observe that in quoting Scott for illustration of particular points I am obliged sometimes to alter the succession and omit much of the context of the pieces I want, for Scott never lets you see his hand, nor get at his points without remembering and comparing far-away pieces carefully. To collect the evidence of any one phase of character, is like pulling up the detached roots of a creeper.]
[Footnote 107: Note the "wee business of my ain," i. 213.]
[Footnote 108: Its "hero" is a tall youth with handsome calves to his legs, who shoots a bull with a fowling-piece, eats a large lunch, thinks it witty to call Othello a "nigger," and, having nothing to live on, and being capable of doing nothing for his living, establishes himself in lunches and cigars forever, by marrying a girl with a fortune. The heroine is an amiable governess, who, for the general encouragement of virtue in governesses, is rewarded by marrying a lord.]
[Footnote 109: The present paper was, however, the last.--ED.]
124. Long since, longer ago than the opening of some fairy tales, I was asked by the publisher who has been rash enough, at my request, to reprint these my favorite old stories in their earliest English form, to set down for him my reasons for preferring them to the more polished legends, moral and satiric, which are now, with rich adornment of every page by very admirable art, presented to the acceptance of the Nursery.
But it seemed to me to matter so little to the majestic independence of the child-public, who, beside themselves, liked, or who disliked, what they pronounced entertaining, that it is only on strict claims of a promise unwarily given that I venture on the impertinence of eulogy; and my reluctance is the greater, because there is in fact nothing very notable in these tales, unless it be their freedom from faults which for some time have been held to be quite the reverse of faults by the majority of readers.
125. In the best stories recently written for the young, there is a taint which it is not easy to define, but which inevitably follows on the author's addressing himself to children bred in schoolrooms and drawing-rooms, instead of fields and woods--children whose favorite amusements are premature imitations of the vanities of elder people, and whose conceptions of beauty are dependent partly on costliness of dress. The fairies who interfere in the fortunes of these little ones are apt to be resplendent chiefly in millinery and satin slippers, and appalling more by their airs than their enchantments.