[Footnote 2: In the grand pasticcio arranged by Da Ponte, "L'Ape Musicale," a couple of airs by Mozart are inserted (Wien. Ztg., 1789, No. 23, Anh.).]
[Footnote 3: I owe these particulars to the courtesy of Sonnleithner.]
[Footnote 4: Wien. Ztg., 1791, No. 44, Anh., announces thirteen German waltzes, thirteen trios and coda, among which are the "Leyer" and "Schlittenlahrt."]
[Footnote 5: André's Catalogue includes, besides five minuets signed "Di Wolfgango Amadeo Mozart, Vienna, 1784" (461 K.), and the Prague "Teutschen" (509 K.) already mentioned (Vol. III., p. 125), several other dances, certainly belonging to an earlier date. Printed and written collections of dances in the most varied arrangements have been circulated under Mozart's name, although of very doubtful authenticity.]
[Footnote 6: Under Mozart's name an "Anleitung soviel Walzer oder Schleifer mit zwei Wurfeln zu componiren, soviel man will, ohne musikalisch zu verstehen," was published in four languages by Hammel (Amsterdam, Berlin and elsewhere). I am not aware whether he had any share in it.]
[Footnote 7: The often-expressed opinion that Mozart arranged "Judas Maccabæus" (A. M. Z., XXII., p. 30) has been corrected by Sonnleithner (Cäcilia, XVIII., p. 242). "Judas Maccabæus" was performed as early as 1779, at the Concert for the Pensionsinstitut (Wien. Mus. Ztg., 1842, p. 70).]
[Footnote 8: These particulars, communicated to me by Sonnleithner, rest partly on the testimony of the University Apparitor, Joh. Schönauer, who had assisted at these performances as a boy.]
[Footnote 9: Car. Pichler, Denkw., IV., p. 21. Schönauer said that Mozart gave a benefit performance of "Acis and Galatea" in Jahn's Hall, at which Mdlle. Cavalieri, Adamberger, and Gsur sang the solo parts.]
[Footnote 10: Carpani mentions a performance of the "Messiah" in the Schwarzenberg Palace; perhaps a later one (Hayd., p. 64).]
[Footnote 11: Burney's "Nachricht," translated by Eschenburg (Berlin, 1785). The first time there were over 500, the second time over 660 performers. In consequence of this the "Messiah" was performed in Copenhagen in March, 1786. (Cramer, Mag. f. Mus., II., p. 960.)]
[Footnote 12: J. A. Hiller, Nachricht von der Auftuhrung des Händelschen Messias (Berlin, 1786, 4), with Hiller's portrait. There were about 300 performers.]