[Illustration: A DANCE AT GILGIT (DR. LEITNER AND HIS PANJABI ATTENDANTS LOOKING ON).]
The BURÓ NATT is a dance performed on the Nao holiday, in which both men and women engage—the women forming a ring round the central group of dancers, which is composed of men. This dance is called THAPPNATT at Gilgit. In Dareyl there is a dance in which the dancers wield swords and engage in a mimic fight. This dance Gilgitis and Astòris call the _Darelâ nat_, but what it is called by the Dareylis themselves I do not know.
The mantle dance is called “GOJA NAT.” In this popular dance the dancer throws his cloth over his extended arm.
When I sent a man round with a drum inviting all the Dards that were to be found at Gilgit to a festival, a large number of men appeared, much to the surprise of the invading Dogras, who thought that they had all run to the hills. A few sheep were roasted for their benefit; bread and fruit were also given them, and when I thought they were getting into a good humour, I proposed that they should sing. Musicians had been procured with great difficulty, and after some demur, the Gilgitis sang and danced. At first, only one at a time danced, taking his sleeves well over his arm so as to let it fall over, and then moving it up and down according to the cadence of the music. The movements were, at first, slow, one hand hanging down, the other being extended with a commanding gesture. The left foot appeared to be principally engaged in moving or rather jerking the body forward. All sorts of “pas seuls” were danced; sometimes a rude imitation of the Indian Nátsh; the by-standers clapping their hands and crying out “Shabâsh”; one man, a sort of Master of Ceremonies, used to run in and out amongst them, brandishing a stick, with which, in spite of his very violent gestures, he only lightly touched the bystanders, and exciting them to cheering by repeated calls, which the rest then took up, of “Hiù, Hiù.” The most extraordinary dance, however, was when about twelve men arose to dance, of whom six went on one side and six on the other, both sides then, moving forward, jerked out their arms so as to look as if they had all crossed swords, then receded and let their arms drop. This was a war dance, and I was told that properly it ought to have been danced with swords, which, however, out of suspicion of the Dogras, did not seem to be forthcoming. They then formed a circle, again separated, the movements becoming more and more violent till almost all the bystanders joined in the dance, shouting like fiends and literally _kicking_ up a frightful amount of dust, which, after I had nearly become choked with it, compelled me to retire.[45] I may also notice that before a song is sung the rhythm and melody of it are given in “solo” by some one, for instance