But, even there, the Pelargonium, red with indignation, and the Begonia, crimson with rage, came to surprise and hustle the unoffending little band; and they fled to the farms, the cemeteries, the little gardens of the rectories, the old maid's houses and the country convents. And now hardly anywhere, save in the oblivion of the oldest villages, around tottering dwellings, far from the railways and the nursery-gardener's overbearing hot-houses, do we find them again with their natural smile: not wearing a driven, panting and hunted look, but peaceful, calm, restful, plentiful, careless and at home. And, even as in former times, in the coaching-days, from the top of the stone wall that surrounds the house, through the rails of the white fence, or from the sill of the windows enlivened by a caged bird, on the motionless road where none passes, save the eternal forces of life, they see spring come and autumn, the rain and the sun, the butterflies and the bees, the silence and the night followed by the light of the moon.
Brave old flowers! Wall-flowers, Gilly-flowers, Stocks! For, even as the field-flowers, from which a trifle, a ray of beauty, a drop of perfume, divides them, they have charming names, the softest in the language; and each of them, like tiny, artless ex-votos, or like medals bestowed by the gratitude of men, proudly bears three or four. You Stocks, who sing among the ruined walls and cover with light the grieving stones, you Garden Primroses, Primulas or Cowslips, Hyacinths, Crocuses, Crown Imperials, Scented Violets, Lilies of the Valley, Forget-me-nots, Daisies and Periwinkles, Poet's Narcissuses, Pheasant's Eyes, Bear's Ears, Alyssums, Saxifrage, Anemones: it is through you that the months that come before the leaf-time--February, March, April--translate into smiles which men can understand the first news and the first mysterious kisses of the sun! You are frail and chilly and yet as bold-faced as a bright idea. You make young the grass; you are fresh as the water that flows in the azure cups which the dawn distributes over the greedy buds, ephemeral as the dreams of a child, almost wide still and almost spontaneous, yet already marked by the too-precocious brilliancy, the too-flaming nimbus, the too-pensive grace that overwhelm the flowers which yield obedience to man.
