The contemplation of these two monuments may suggest a comparison between two others that are rising up in western London at the present time,--the 'Albert Memorial' and the 'Hall of Science.' They (the old and the new) stand, as it were, at the two extremities of a long line of kings, a line commencing with 'William the Bold,' and ending with 'Albert the Good;' the earlier monuments dedicated to Religion, the latter to Science and Art--the first to commemorate a warrior, the latter a man of peace--the first endurable through many ages, the latter destructible in a few years.[17]

The comparison is surely worth making, for is it not curiously typical of the state of monumental art in England in the present day, that we are only doing what our ancestors did better? They erected useful, appropriate, and endurable monuments which are still crowning ornaments to the town of Caen. Are either of our 'memorials' likely to fulfil these conditions?

Normandy Picturesque — Part 21

Not to go further into detail, there is no doubt that, elaborate and magnificent as the 'Albert Memorial' may be, it is useless, inappropriate, and out of place in Hyde Park; and that the 'Hall of Science' at South Kensington (whatever its use may be) is not likely to attract foreign nations by the external beauty of its design.

Normandy Picturesque — Part 21

At Caen we are in an atmosphere of heroes and kings, we pass from one historical site to another until the mind becomes half confused; we are shown (by the same valet-de-place) the tomb of the Conqueror, and the house where Beau Brummel died. We see the ruins of a castle on the heights where le 'jeune et beau Dunois' performed historical prodigies of valour; and the chapel where he 'allait prier Marie, bénir ses exploits.' But the modern military aspect of things is, we are bound to confess, prosaic to a degree; we find the Dunois of the period occupied in more peaceful pursuits, mending shoes, tending little children, and carrying wood for winter fires.

Normandy Picturesque — Part 21

There are many other buildings and churches at Caen which we should examine, especially the exterior carving of '_St. Étienne-le-vieux_;' which is now used as a warehouse.

The cathedrals and monuments are generally, as we have said, in wonderful preservation, but they are desecrated without remorse; on every side of them, and, indeed, upon them, are staring advertisements of 'magazines,' dedicated '_au bon diable_,' '_au petit diable_,' or to some other presiding genius; of '_magasins les plus vastes du monde_,' and of '_loteries impériales de France;_' whichever way we turn, we cannot get rid of these staring affiches; even upon the 'footsteps of the Conqueror' the bill-sticker seems master of the situation.