For my part I never could believe that Madame de Warens would have recognized herself in the questionable pages of Rousseau's old age. In my fancy, I have always restored her to what she was, or what she appeared at Annecy to the young poet,--lovely, feeling, tender, frail though really pious, prodigal of kindness, thirsting after love, and desirous of blending the tender names of mother and of mistress in her affection for the youth that Providence had confided to her, and whom her love had adopted. This is the true portrait, such as the old men of Chambéry and Annecy have told me that their fathers had transmitted to them. Rousseau's mind itself bears witness against his own accusations. Whence would he have derived his sublime and tender piety, his feminine melancholy, his exquisite and delicate touches of feeling, if a woman had not bestowed them with her heart. No, the woman who called into existence such a man was not a cynical courtesan, but rather a fallen Héloise--an Héloise fallen by love and not by vice or depravity. I appeal from Rousseau the morose old man, calumniating human nature, to Rousseau, the young and ardent lover; and when I go, as I often do, to muse at Les Charmettes, I seek a Madame de Warens far more touching and attractive in my imagination than in his.

A poor woman made us some fire in Madame de Warens' room; accustomed to the visit of strangers, and to their long conversations on the scene of the early days of a celebrated man, she attended to her usual work in the kitchen and in the yard, and left us at liberty to warm ourselves, or to saunter backwards and forwards from the house to the garden. This little sunny garden, surrounded by a wall which separated it from the vineyards, and overrun with nettles, mallows, and weeds of all kinds, resembled one of those village churchyards where the peasants assemble to bask in the rays of the sun, leaning against the church-walls, with their feet on the graves of the dead. The walks, so neatly gravelled once, were now covered with damp earth and yellow moss, and showed the neglect that had followed on absence. How we would have wished to discover the print of the footsteps of Madame de Warens, when she used to go, basket in hand, from tree to tree, from vine to vine, gathering the pears of the orchard or the grapes of the vineyard, and indulging in merry frolic with, the pupil or the confessor. But there is no trace of them in their house, save their memory. That is enough; their name, their remembrance, their image, the sun they saw, the air they breathed, which seems still beaming with their youth, warm with their breath, and filled with their voices, give one back the light, the dreams, the sounds, which shed enchantment round their spring of life.

Raphael — Part 59