We can see the hospital wards in the cloisters, and, if we desire it, ascend the eastern tower, and obtain a view over a vast extent of country, and of the town of Caen, set in the midst of gardens and green meadows, and the river, with boats and white sails, winding far away to the sea.

'These two royal abbeys,' writes Dawson Turner, 'which have fortunately escaped the storm of the Revolution, are still an ornament to the town, an honour to the sovereign who caused them to be erected, and to the artist who produced them. Both edifices rose at the same time and from the same motive. William the Conqueror, by his union with Matilda, had contracted a marriage proscribed by the decrees of consanguinity. The clergy, and especially the Archbishop of Rouen, inveighed against the union; and the Pope issued an injunction, that the royal pair should erect two monasteries by way of penance, one for monks, the other for nuns; as well as that the Duke should found four hospices, each for 100 poor persons. In obedience to this command, William founded the Church of St. Stephen, and Matilda, the Church of the Holy Trinity.

Normandy Picturesque — Part 20

It is usual on this spot to recount the pitiful, but rather apocryphal story of the burial of William the Conqueror, by a 'simple knight;' of its dramatic interruption by one of the bystanders, a 'man of low degree,' who claimed the site of the grave, and was appeased with 60 sous; and of the subsequent disturbance and destruction of his tomb by the Huguenots; but the artistic traveller will be more interested in these buildings as monuments of the architecture of the eleventh century, and to notice the marks of the chisel and the mason's hieroglyphics made in days so long gone by, that history itself becomes indistinct without these landmarks--marks and signs that neither armies of revolutionists nor eight centuries of time have been able to destroy.

Normandy Picturesque — Part 20

We speak of 'eight centuries' in two words (the custodian of the place has them glibly on his tongue), but it is difficult to comprehend this space of time; to realise the fact of the great human tide that has ebbed and flowed through these aisles for eleven generations--smoothing the pillars by its constant wave, but leaving no more mark upon them than the sea on the rocks of Calvados.

Normandy Picturesque — Part 20