It was lawful in Vienna to bathe on Sunday; and this we did, with great delight, in the public baths upon the Danube. Or we strolled about the Glacis; attended the miniature review in the Hof-Burg; wandered out as far as Am-Spitz, by the long wooden bridge over the broad and melancholy river; or, what was better, sauntered in some one of the beautiful gardens of the Austrian nobility,—those of Schwargenberg, Lichtenstein, or in the Belvidere—thrown open to the public, not only on Sunday, but on every day in the week.

As the day waned, music burst forth in many strains at once. There was a knot of artisans in our back room, who were learning the entire “Czar and Zimmerman,” and who were very vigorous about this hour. At seven, the theatres opened their doors, with something of our own rush and press, although there was a guard-house, and a whole company of grenadiers in the ante-room; but, once in the interior, all was order and decorum. There was, of course, a difference in tone and character between the city and the suburban theatres, inasmuch as the ices and coffee of the court playhouses found their parallel in the beer and hot sausages of the Joseph Stadt and An-der-Wieden; but the performances of all rarely occupied more than two, and never exceeded three hours; and there was an amount of quiet and propriety manifested during the entertainment, which said something for the authorities, but more for the people.

A Tramp's Wallet — Part 179

As the night deepened, the ball-rooms and dancing-booths of Vienna,—the Sperl’s, Das Tanz Salon beim Schaf, and so downward to the dens of Lerchenfeld—grew furious in music, and hysterical in waltz. It was something fearful. It made your eyes twinkle, and your head dizzy, to see that eternal whirling of so many human teetotums. They seemed to see nothing, to feel nothing, to know nothing; there was no animation in their looks; no speculation in their eyes; nothing but a dead stare, as if the dancers were under a spell, only to be released when the music was at an end. Generally speaking, I think the ball-rooms of continental cities are the curses and abominations of the Sunday. My landlord, who was no moralist, but played faro, draughts, and billiards on the Sunday evening, would not hear of his daughter attending a public ballroom. There is a curious anomaly in connection with places of public entertainment which strikes a stranger at once, and which is equally true of Berlin as of Vienna; it is this: that, while private houses are closed at nine and ten o’clock, according to the season of the year, coffee-houses, taverns, dancing and concert-rooms, are open till midnight. Up to the former hours you may gain admission to your own house by feeing the porter to the extent of twopence; but, later than this, it is dangerous to try the experiment.

A Tramp's Wallet — Part 179