May we ask what the pillar and witness—the Pyramid—has to say on the Jewish question, for it has not left this fact unnoticed? At the junction of the first ascending passage with the Grand Gallery, on the left-hand side, or East, there is a horizontal passage-way leading to what is called the Queen’s Chamber. This chamber is on the twenty-fifth course of masonry. Now, it is allowed, the Grand Gallery expresses the time of Christ’s advent and fulness of time—enlarged liberty. The ascending passage being only four feet high, men were cramped in passing up, but on reaching the Grand Gallery they were free, for it is twenty-eight feet high.
The passage to the Queen’s Chamber is only four feet, and is it not strange that it is altogether Jewish? This low horizontal passage terminates in a grand Sabbatic room, which symbolises the Jewish Sabbath-week, feasts, and time periods.
From this passage we learn that the Jews rejected Christ, and went off by themselves, refusing the liberty of Christ. So as truly as the coming of Christ had been forecast in this Pyramid, so had His rejection by the Jews.
The very mortar in this chamber is mixed with salt. The chamber is seven-sided. The last seventh of the passage-way sinks down, giving more room to move in. Salt was an article used freely with the Jews in sacrificing. Seven was a sacred number. The sinking of the last seventh part of the passageway floor may mean the enlarging privilege of the Jews in this latter day. Of the civilised nations, only Russia and Spain forbid them citizenship. Even Turkey admits them now as citizens.
The Jews have been represented as being blind in part. The passage-way and chamber have been difficult to explore because of foul air, there being no ventilating tubes as in the King’s Chamber.
But, strange to say, a gentleman exploring this chamber a short time ago, found two tubes by an accident in striking the side wall with a hammer. The tubes had been left entirely closed over with a thin unbroken scale. These tubes extended inward through the masonry, and into the stones forming the walls of the room, all nicely cut, but for about one inch they were not cut through into the room itself. Thus the whole was designed is evident. This thin scale no doubt symbolises the condition of the Jew. His eyes are now open, the time of his wandering nearly spent, as told by this Pyramid.