Bhangra () is a type of non-traditional music of Punjab originating in Britain, specifically Southall. It is a type of upbeat popular music associated with the Punjabi diaspora in Britain. The style has its origins in the folk music of Punjab as well as western pop music of the 1970s and 1980s. Prior to this musical fusion, Bhangra existed only as a dance form in the native Punjab. This Punjabi music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, Bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers.
Origins
The roots of modern bhangra music date back to the Sikh Punjabi community in Punjab during the 1960s. An early pop music and modern recording group of this type of music in the United Kingdom was Bhujhangy Group, founded by Tarlochan Singh Bilga, Balbir Singh Khanpur, Gurpal, Rajinder Dhona and Dalvir Kahanpuri in Birmingham in 1971. Bhujhangy Group's first major hit was "Bhabiye Akh Larr Gayee". It was written by Tarlochan Singh Bilga in the early 1975s and was released on Birmingham's Oriental Star Agencies label. This was the first song to combine traditional Asian music with modern Western instruments.
Differences from folk music
Although bhangra music used many of the elements of Punjabi folk music (e.g., "Bakkrey Bulaaney" – the goat herding vocalizations), it was also radically different in its embrace of modernity. The song structure of a typical bhangra song featured four verses, a chorus, along with two alternating instrumental bridge sections. (e.g., CVB1CVB2CVB1CVB2C.) Hence it featured more musicianship than its folk predecessor.
United Kingdom
1970s
A modern and commercial form of bhangra music was said to rise in Britain in the 1970s by Punjabi immigrants who took their native folk music and began experimenting by altering it using instruments from their host country. The new genre quickly became popular in Britain replacing Punjabi folk singers due to it being heavily influenced in Britain by the infusion of rock music and a need to move away from the simple and repetitive Punjabi folk music. It indicated the development of a self-conscious and distinctively rebellious British Asian youth culture centred on an experiential sense of self, e.g., language, gesture, bodily signification, desires, etc., in a situation in which tensions with British culture and racist elements in British society had resulted in alienation in many minority ethnic groups, fostered a sense of need for an affirmation of a positive identity and culture, and provided a platform for British Punjabi males to assert their masculinity.
In the 1980s, distributed by record labels such as Multitone Records, bhangra artists were selling over 30,000 cassettes a week in the UK, but no artists reached the Top 40 UK chart despite these artists outselling popular British ones; most of the bhangra cassette sales were not through the large UK record stores, whose sales were those recorded by the Official UK Charts Company for creating their rankings.
The group Alaap was formed in 1977, co-founded by Channi Singh and Harjeet Gandhi who both hailed from Southall, a Punjabi area in London. Their album Teri Chunni De Sitaray was released in 1982 by Multitone. Alaap was considered the first and original superstar bhangra band formed in the United Kingdom. Channi Singh has been awarded the OBE by the Queen for his services to Bhangra music and services/charity for the British Asian community. Co-founder Harjeet Gandhi died in 2003.
The 1980s is commonly known as the golden age, or the age of bhangra music, which lasted roughly from 1985 to 1993. The primary emphasis during these times was on the melody/riff, played out usually on a synthesizer, harmonium, accordion or guitar. Folk instruments were rarely used.