Now between the criminal and indolent neglect of those who would sit down with folded hands and never stretch out a finger to avert the death of the stricken, and the pretentious puffery of quacks who assure us that they have discovered the secret of rejuvenescence, there is a whole world of difference, and between the stupid do-nothingism of the one and the rash do-everythingism of the other there is--there must be--a middle course. This is what we have to complain of, that when well-meaning people have set themselves to “restore” a church (for I shall keep myself to that branch of the subject for the present), some of us have found the greatest difficulty in learning _what_ they were going to restore.
When these good and well-meaning people take it into their heads that an ancient ecclesiastical building is to be replaced by a modern structure in which “all the characteristic features of the original are to be reproduced and for the most part retained,” we ask ourselves with wide-open eyes of amazement and perplexity what is going to be reproduced? There is a sumptuous Norman doorway, there are abundant indications of the existences of a Norman church having existed on this spot--there are clear proofs that the Norman pillars have been recklessly cut away here to make room for a splendid thirteenth-century tomb, that the north aisle is an addition raised up at the sacrifice of the original north wall--that a chapel of no great artistic merit was added at another time, that the pitch of the roof was altered when the clerestory was added, that the chancel was rebuilt, flimsily, faultily, fantastically, just before the final rupture with Rome,--and yet that the remains of the superb sedilia which the seventeenth-century mob smashed to pieces were evidently removed from the earlier chancel by the fifteenth-century architects. There are signs, in fact, of the church never having been left undisturbed--that from generation to generation the rude forefathers of the hamlet were always doing something to their church, taking a pride in adding to or altering it, according to their notions. They never thought of _reproducing_ anything, but rightly or wrongly they were always aiming at _improving_ everything. You are going to restore, are you? _What_ are you going to restore? The Norman, the Early English, the Decorated, or the Perpendicular church? What are the characteristic features of the original? What is your notion of the original which you pretend to be about to restore? The problem that presents itself becomes more difficult, more complex, the longer you look at it--the problem, namely, _what_ you are going to restore.