=Monuments in the Nave.=[8]--The peculiar arrangements of the ancient monuments in two long rows on the continuous plinth that connects the bases of the pillars on each side of the nave is another of Wyatt's freaks during his terrible innovations in 1789. Not only did he sever the historical associations of centuries by these arbitrary removals, but paid so little attention to consistency that portions of monuments belonging to entirely different periods were combined with curious results, and remains transferred to other "receptacles" than those designed for them. It is true that the effect of the present arrangement is not entirely bad, but it was not worth achieving at such a cost.

The first monument on the south side as we enter by the great west door, is in memory of Thomas Lord Wyndham of Finglass, Lord Chancellor of Ireland, (1) who died in 1745; the marble figure of Hibernia which surmounts it is by Rysbrack. At the western base of the first south pillar is a Purbeck marble slab, (2) coffin-shaped, probably the oldest monument in the building. This is usually assigned to Bishop Herman, whose tomb it is supposed to have covered in Old Sarum; but no evidence exists to support this theory. In the first place his original burial-place is entirely unknown, and William de Wanda, who chronicles minutely the removal of the bodies of other bishops from the old cathedral, does not even mention Herman's name.

Bell's Cathedrals: The Cathedral Church of Salisbury — Part 29

The next (3) is an effigy of a bishop in full pontificals, also believed to have been originally at Old Sarum. The carving is rich, and the design a fine example of the early Norman style. The chasuble is decorated with stars, and the dalmatic has a rich border. Elaborately carved foliage, with birds, frames the figure, which has its right hand raised in the attitude of benediction, and grasps a pastoral staff in the left. It is usually believed that it commemorates Bishop Jocelin, who died in 1184, and was probably removed from Old Sarum at the translation of the bodies of the three bishops. The head of the effigy is evidently a much later restoration, probably, from the style of the richly ornamented mitre, about the time of Henry III. or Edward I. As the face is cleanly shaven, while the seal of Bishop Jocelin depicts him as bearded, some antiquaries hold this monument to belong to Bishop Roger, and assign to Bishop Jocelin the one formerly attributed to Bishop Herman. If, however, differences of opinion exist concerning the identity of these two effigies, they are as nothing compared to the uncertainty regarding the next, (4) which represents a bishop holding a pastoral staff. Down the front of this cope are the words, "Affer opem devenies in idem." Hatcher and Duke believe that it represents Bishop Jocelin. Britton, Gough and Planché, prefer to think that it commemorates Bishop Roger. Its inscription on the edge of the slab runs:

Bell's Cathedrals: The Cathedral Church of Salisbury — Part 29