How untrue the representation that a people in whose hearts lives the love of songs like these are a race of freebooters! Listening constantly to the praise of heroes, whether famous in the legends of antiquity or still living surrounded with the respect of their fellows, the soul of the young warrior is early inspired with a love for war and glory. He, too, will be a hero. He will be the first in his district, the chief of his tribe, the praise of the mountains, and the terror of the plains. He therefore goes forth to distinguish himself in the fight, and bring home trophies of his prowess. If theft is held in esteem by the Circassian, as formerly by the Spartan warrior, it is so mainly for its adroitness, a quality so necessary in circumventing the enemy; and if he exults in stripping the discomfited Muscovite and Cossack of their arms and clothing, these are the tokens of his valor, and chiefly as such are prized by him.
Schamyl, though from boyhood exhibiting in manners and character a certain degree of thoughtful gravity beyond his years, was, like all his countrymen, a dancer. Nor does the Circassian dance require, for the most part, any levity of disposition in the performer; some varieties of it being practised as a martial exercise, and with a decorum bordering on seriousness. In the war-dance the Lesghian, more particularly, is imperious in look as well as animated in action. He carries himself haughtily through all the evolutions, moving with equal grace and rapidity, keeping perfect time in his complicated steps, exhibiting an elasticity of tread, a suppleness of limbs, and a vigor of body truly astonishing; while at the same time the fierce earnestness of his countenance and his noble bearing are, as it were, a challenge to his enemies. Among European dances this warlike figure most resembles the highland fling of Scotland.
The dancing of the women appears tame and monotonous in comparison. Theirs is a slow movement, the principal charm of which is in its grace, and which requires for its execution a certain undulating motion of the body rather than any extra exertion of the feet and legs.
At all public festivals the two sexes always dance together. Generally after supping on roasted sheep or sodden kid, together with cakes of pastry and the aromatic honey, followed on the part of the male portion of the company by brimming bowls of mead, they form a ring on the greensward for their favorite pastime and crowning pleasure of the feast. The circle is often a very large one, with a bonfire in the centre during the evening. The daughters unveiled, are led down from their tents, situated a little apart on the hill-side, by their carefully muffled mothers, who with a prudence characteristic of them in other lands, also generally select from the candidates for the estate of matrimony such partners as may best suit both the present proprieties and the future possibilities of the case. Without a trifle of coquetry there is no dancing even in Circassia. The pipers then having taken their places, strike up a merry measure, to which moves gracefully round the whole circle. The beaux are expected to look grave as judges or the council ring itself, but the movement allows of a good deal of jamming and squeezing; so much so, indeed, that the fair ones are not unfrequently taken off their feet and borne around for short distances by the force of the pressure. When they touch the ground, however, their robes being short and their trowsers tightly fastened above the ancle, the movement of their feet, which are almost always pretty, is shown off to advantage.