Mrs. Gracedew, who had visibly thrown herself into the working of the charm, following him with vivid sympathy and hanging on his lips, took the liberty, at this, of quite affectionately pouncing on him. "_I_ say in the fourteenth, my dear--you're robbing us of a hundred years!"

Her victim yielded without a struggle. "I do seem, in them dark old centuries, sometimes to trip a little." Yet the interruption of his ancient order distinctly discomposed him, all the more that his audience, gaping with a sense of the importance of the fine point, moved in its mass a little nearer. Thus put upon his honour, he endeavoured to address the group with a dignity undiminished. "The Gothic roof is much admired, but the west gallery is a modern addition."

The Two Magics — Part 107

His discriminations had the note of culture, but his candour, all too promptly, struck Mrs. Gracedew as excessive. "What in the name of Methuselah do you call 'modern'? It was here at the visit of James the First, in 1611, and is supposed to have served, in the charming detail of its ornament, as a model for several that were constructed in his reign. The great fireplace," she handsomely conceded, "_is_ Jacobean."

The Two Magics — Part 107

She had taken him up with such wondrous benignant authority--as if, for her life, if they _were_ to have it, she couldn't help taking care that they had it out; she had interposed with an assurance that so converted her--as by the wave of a great wand, the motion of one of her own free arms--from mere passive alien to domesticated dragon, that poor Chivers could only assent with grateful obeisances. She so plunged into the old book that he had quite lost his place. The two gentlemen and the young lady, moreover, were held there by the magic of her manner. His own, as he turned again to his cluster of sightseers, took refuge in its last refinement. "The tapestry on the left Italian--the elegant wood-work Flemish."

The Two Magics — Part 107

Mrs. Gracedew was upon him again. "Excuse me if I just deprecate a misconception. The elegant wood-work Italian--the tapestry on the left Flemish." Suddenly she put it to him before them all, pleading as familiarly and gaily as she had done when alone with him, and looking now at the others, all round, gentry and poor folk alike, for sympathy and support. She had an idea that made her dance. "Do you really mind if _I_ just do it? Oh, I know how: I can do quite beautifully the housekeeper last week at Castle Gaunt." She fraternised with the company as if it were a game they must play with her, though this first stage sufficiently hushed them. "How do you do? Ain't it thrilling?" Then with a laugh as free as if, for a disguise, she had thrown her handkerchief over her head or made an apron of her tucked-up skirt, she passed to the grand manner. "Keep well together, please--we're not doing puss-in-the-corner. I've my duty to all parties--I can't be partial to one!"