While he was in this irresolute mind there came to the court certain players, in whom Hamlet formerly used to take delight, and particularly to hear one of them speak a tragical speech, describing the death of old Priam, King of Troy, with the grief of Hecuba, his queen. Hamlet welcomed his old friends, the players, and remembering how that speech had formerly given him pleasure, requested the player to repeat it, which he did in so lively a manner, setting forth the cruel murder of the feeble king, with the destruction of his people and city by fire, and the mad grief of the old queen, running barefoot up and down the palace, with a poor clout upon that head where a crown had been, and with nothing but a blanket upon her loins, snatched up in haste, where she had worn a royal robe; that not only it drew tears from all that stood by, who thought they saw the real scene, so lively was it represented, but even the player himself delivered it with a broken voice and real tears. This put Hamlet upon thinking, if that player could so work himself up to passion by a mere fictitious speech, to weep for one that he had never seen, for Hecuba, that had been dead so many hundred years, how dull was he, who having a real motive and cue for passion, a real king and a dear father murdered, was yet so little moved that his revenge all this while had seemed to have slept in dull and muddy forgetfulness! And while he meditated on actors and acting, and the powerful effects which a good play, represented to the life, has upon the spectator, he remembered the instance of some murderer, who, seeing a murder on the stage, was by the mere force of the scene and resemblance of circumstances so affected, that on the spot he confessed the crime which he had committed. And he determined that these players should play something like the murder of his father before his uncle, and he would watch narrowly what effect it might have upon him, and from his looks he would be able to gather with more certainty if he were the murderer or not. To this effect he ordered a play to be prepared, to the representation of which he invited the king and queen.

The story of the play was of a murder done in Vienna upon a duke. The duke’s name was Gonzago, his wife Baptista. The play showed how one Lucianus, a near relation to the duke, poisoned him in his garden for his estate, and how the murderer in a short time after got the love of Gonzago’s wife.

The Chautauquan, Vol. III, February 1883 — Part 96