The "Bishops' Prison" is still shown at Loches, a different receptacle from the cages and dungeons occupied by Cardinal La Balue and the Bishop of Verdun. These other bishops did their own decorations akin to Sforza's, but their rude presentment was of an altar and cross roughly depicted on the wall of their cell. Some confusion exists as to their identity, but they are said to have been De Pompadour, Bishop of Peregneux, and De Chaumont, Bishop of Montauban, and their offense was complicity in the conspiracy for which Comines suffered. If this were so it must have been after the reign of Louis XI.
Among the many victims condemned by Louis XI to the tender mercies of Loches, was the Duc d'Alençon, who had already been sentenced to death in the previous reign for trafficking with the English, but whose life had been spared by Charles VII, to be again forfeited to Louis XI, for conspiracy with the Duke of Burgundy. His sentence was commuted to imprisonment in Loches.
A few more words about Loches. Descending more than a hundred steps we reach the dungeon occupied by Ludovico Sforza, called "Il Moro," Duke of Milan, who had long been in conflict with France. The epithet applied to him was derived from the mulberry tree, which from the seasons of its flowers and its fruit was taken as an emblem of "prudence." The name was wrongly supposed to be due to his dark Moorish complexion. After many successes the fortune of war went against Sforza and he was beaten by Trionlzio, commanding the French army, who cast him into the prison of Novara. Il Moro was carried into France, his destination being the underground dungeon at Loches.
Much pathos surrounds the memory of this illustrious prisoner, who for nine years languished in a cell so dark that light entered it only through a slit in fourteen feet of rock. The only spot ever touched by daylight is still indicated by a small square scratched on the stone floor. Ludovico Sforza strove to pass the weary hours by decorating his room with rough attempts at fresco. The red stars rendered in patterns upon the wall may still be seen, and among them, twice repeated, a prodigious helmet giving a glimpse through the casque of the stern, hard looking face inside. A portrait of Il Moro is extant at the Certosa, near Pavia, and has been described as that of a man "with the fat face and fine chin of the elderly Napoleon, the beak-like nose of Wellington, a small, querulous, neat-lipped mouth and immense eyebrows stretched like the talons of an eagle across the low forehead."