“Of course you don’t understand. Nor could I make you understand how fellows like myself play the game of life. But let me try by an illustration to enlighten you. When there’s no wind on a boat, and her sails flap lazily against the mast, she can have no guidance, for there is no steerage-way on her. She may drift with a current, or rot in a calm, or wait to be crushed by some heavier craft surging against her. Any wind--a squall, a hurricane--would be better than that. Such is my case. Marriage without means is a hurricane; but I’d rather face a hurricane than be water-logged between two winds.”

“The girl I marry--or rather the girl who marries _me_--will soon learn that she’s on board a privateer, and that on the wide ocean called life there’s plenty of booty to be had, for a little dash and a little danger to grasp it.”

A Rent In A Cloud — Part 27

“And is it to a condition like this you’d bring the girl you love, Calvert?”

A Rent In A Cloud — Part 27

“Not if I had five thousand a year. If I owned that, or even four, I’d be as decorous as yourself; and I’d send my sons to Rugby, and act as poor-law guardian, and give my twenty pounds to the county hospital, and be a model Englishman, to your heart’s content. But I haven’t five thousand a year, no, nor five hundred a year; and as for the poor-house and the hospital, I’m far more likely to claim the benefit than aid the funds. Don’t you see, my wise-headed friend, that the whole is a question of money? Morality is just now one of the very dearest things going, and even the rich cannot always afford it. As for me, a poor sub in an Indian regiment, I no more affect it than I presume to keep a yacht, or stand for a county.”

A Rent In A Cloud — Part 27

“But what right have you to reduce another to such straits as these? Why bring a young girl into such a conflict?”

“If ever you read Louis Blanc, my good fellow, you’d have seen that the right of all rights is that of ‘associated labour.’ But come, let us not grow too deep in the theme, or we shall have very serious faces to meet out friends with, and yonder, where you see the drooping ash trees, is the villa. Brush yourself up, therefore, for the coming interview; think of your bits of Shelley and Tennyson, and who knows but you’ll acquit yourself with honour to your introducer.”