For many years _Tamerlane_ was acted at Drury Lane on the anniversary of King William's landing in England, and under the names of Tamerlane and Bajazet the king is belauded at the expense of Louis XIV. _The Fair Penitent_, a piece even more successful upon the stage, will still please the reader, though he may question the high eulogium of Johnson, that "scarcely any work of any poet is at once so interesting by the fable, and so delightful by the language." Rowe has not the tragic power which can express passion without rant, and pathos without extravagance. In _The Fair Penitent_ Calista gives utterance to her feelings by piling up expletives. Thus, when her husband attacks the lover who has ruined her, she exclaims, 'Destruction! fury! sorrow! shame! and death!' and, on another occasion, she cries out, 'Madness! confusion!' words which give a sense of the ludicrous rather than of the tragic; and so also does Calista's last utterance when, addressing Altamont, she says:

'Had I but early known Thy wondrous worth, thou excellent young man We had been happier both--now 'tis too late!'

The Age of Pope — Part 67

Rowe may be regarded as the principal representative of tragedy in the 'age of Pope,' but his respectable work shows a fatal degeneration from the 'gorgeous tragedy' of the Elizabethans.

The Age of Pope — Part 67

Aaron Hill, unlike Rowe, was not distinguished as a dramatist, and succeeded only in two or three adaptations from the French. His claims as a poet are also insignificant. He was born in London in 1684, with expectations that were not destined to be realized, but Fortune was not unkind to him. His uncle, Lord Paget, Ambassador at Constantinople, gave the youth a warm welcome, supplied him with a tutor, and sent him to travel in the East. On Lord Paget's return to England, Hill accompanied him, and together they are said to have visited a great part of Europe. Some time later Hill went abroad again, and was absent two or three years. For awhile--it could not have been long--he was secretary to the Earl of Peterborough, and at the age of twenty-six, his good star being still in the ascendant, he married a young lady 'of great merit and beauty, with whom he had a very handsome fortune.' Hill was then appointed manager of Drury Lane, and he wrote a number of plays, the very names of which are now forgotten. Few men indeed so well known in his own day have sunk into such insignificance in ours. He wrote eight books of a long and unfinished epic called _Gideon_, which I suppose no one in the present century has had the hardihood to read; like Young he wrote a poem on _The Judgment Day_, a theme attempted also, shortly before his death, by John Philips, and that, after his kind, he produced a Pindaric ode goes without saying. A long poem called _The Northern Star_, a panegyric on Peter the Great, is said to have passed through several editions. The poem does not prove Hill to be a poet, but it shows his command of the heroic couplet. The style of the poem, which is an indiscriminate panegyric, may be judged from the following lines:

The Age of Pope — Part 67