Charles turned, involuntarily, and saw a small immaculate Cuban with grey hair and a ribband in his buttonhole advancing among the tables. He was a man of distinguished appearance, important it was evident, for a marked number of people bowed as he passed. When he had gone on, the bearded individual rose, swaying slightly, and, with his hand still in his coat rapidly overtook the other.
Charles Abbott had an impulse to cry out; but, oppressed by a sense of helpless dread, impending disaster, without a sound or power of movement he followed the course of the second figure. The two were now at the end of the dining-room, close to the mirror, when the man with the decoration stopped and turned sharply. There was the sudden stabbing report of a pistol, and, immediately following, a loud splintering crash. Charles had the crazy illusion that a man who had been shot was made of china, and would be found in broken bits on the floor.
There was an instantaneous hysterical uproar, dominated by the screams of women; in the panic which rose there was a rush for the entrance, a swirl of tearing satin and black dress coats. Then, even before he heard the concerted derisive amazement, Charles realized that, dazed by the brandy, the intended murderer had fired at the reflection of his mark in the glass.
What an utterly ridiculous error; and yet his hands were wet and cold, his heart pounding. Something of the masking gaiety, the appearance of innocent high spirits, was stripped from the dining-room of the Inglaterra, from Havana. There was an imperative need for Andrés Escobar's caution. Charles' equanimity returned: with a steady hand he poured out more coffee. He was ashamed of his emotion; but, by heaven, that was the first of such violence he had witnessed; he knew that it happened, to a large degree its possibility had brought him to Cuba; yet directly before him, in a square beard and a decorating ribband!... On the floor were the torn painted gauze and broken ivory sticks of a woman's fan.
The echo of that futile shot followed Charles Abbott to the Escobars', where, because of the often repeated names of its principals, he recognized that the affair was being minutely discussed. The room in which they sat was octagonal, with the high panels of its walls no more than frames for towering glass doors set in dark wood; above were serrated openings, Eastern in form, and the doors were supported by paired columns of glacial white marble. It was entered through a long corridor of pillars capped in black onyx with wicker chairs, a tiling laid in arabesques and potted palms; and opposite was the balcony over the Prado. A chandelier of crystal, hanging by a chain from the remote ceiling, with a frosted sparkle like an illuminated wedding cake, unaffected by prismatic green and red flashes, filled the interior with a chilly brightness. The chairs of pale gilt set in a circle, the marble pattern of the floor, the dark heads of the Escobars, looked as though they were bathed in a vitreous fluid preserving them in a hard pallor forever.