Landscape photography seems not to be understood by the Italians. They seem to set the camera down anywhere, without any consideration for picturesque effect—no judgment whatever exercised as to light and shade, and the result is a hard black and white picture with a clean white paper sky, wholly devoid of anything like artistic effect.

What would not a Wilson or an England effect here! I wish they who have done so much for Scotland and Switzerland could be persuaded to cross the Alps and give us the benefit of their labours in these charming scenes. Surely it would answer their purpose to spend some months in these parts. I can promise them, in addition to scenery of surpassing beauty and variety, good hotels and not expensive, with the means of locomotion easy and cheap. If the foregoing lines should induce them or some other competent artists to pay a visit to these regions, I shall, I hope, have done some service to photography and the diffusion of art.

The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872 — Part 13

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The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872 — Part 13

WHO that has read the graphic account of the great diversity of shapes and characteristics of ears given by Mr. O. G. Rejlander in THE BRITISH JOURNAL PHOTOGRAPHIC ALMANAC will not feel an interest in this topic? Who, once more, that has read the evidence in the Tichborne trial, given in our number for December 22, by Colonel Stuart Wortley, Mr. Savage, and Mr. J. T. Taylor, will not feel some interest in thumbs? On both of these topics the Attorney-General enlarged at much length in his speech on Tuesday last.

The British Journal of Photography, No. 613, Vol. XIX, February 2, 1872 — Part 13