A small pine torch threw its blue and hazy light into the cave. In spite of the gloomy poetic effects which Mademoiselle de Verneuil’s imagination cast about this vaulted chamber, which was echoing to the sounds of a pitiful prayer, she was obliged to admit that the place was nothing more than an underground kitchen, evidently long abandoned. When the formless mass was distinguishable it proved to be a short and very fat man, whose limbs were carefully bound before he had been left lying on the damp stone floor of the kitchen by those who had seized him. When he saw the new-comer approach him with a torch in one hand and a fagot of sticks in the other, the captive gave a dreadful groan, which so wrought upon the sensibilities of Mademoiselle de Verneuil that she forgot her own terror and despair and the cramped position of her limbs, which were growing numb. But she made a great effort and remained still. The Chouan flung the sticks into the fireplace, after trying the strength of an old crane which was fastened to a long iron bar; then he set fire to the wood with his torch. Marie saw with terror that the man was the same Pille-Miche to whom her rival had delivered her, and whose figure, illuminated by the flame, was like that of the little boxwood men so grotesquely carved in Germany. The moans of his prisoner produced a broad grin upon features that were ribbed with wrinkles and tanned by the sun.
“You see,” he said to his victim, “that we Christians keep our promises, which you don’t. That fire is going to thaw out your legs and tongue and hands. Hey! hey! I don’t see a dripping-pan to put under your feet; they are so fat the grease may put out the fire. Your house must be badly furnished if it can’t give its master all he wants to warm him.”
The victim uttered a sharp cry, as if he hoped someone would hear him through the ceiling and come to his assistance.
“Ho! sing away, Monsieur d’Orgemont; they are all asleep upstairs, and Marche-a-Terre is just behind me; he’ll shut the cellar door.”
While speaking Pille-Miche was sounding with the butt-end of his musket the mantel-piece of the chimney, the tiles of the floor, the walls and the ovens, to discover, if possible, where the miser hid his gold. This search was made with such adroitness that d’Orgemont kept silence, as if he feared to have been betrayed by some frightened servant; for, though he trusted his secrets to no one, his habits gave plenty of ground for logical deductions. Pille-Miche turned several times sharply to look at his victim, as children do when they try to guess, by the conscious expression of the comrade who has hidden an article, whether they are nearer to or farther away from it. D’Orgemont pretended to be alarmed when the Chouan tapped the ovens, which sounded hollow, and seemed to wish to play upon his eager credulity. Just then three other Chouans rushed down the steps and entered the kitchen. Seeing Marche-a-Terre among them Pille-Miche discontinued his search, after casting upon d’Orgemont a look that conveyed the wrath of his balked covetousness.