That this may be the case, I prithee--beware! See not a Dulcinea, in every slipshod girl, who, with blue eyes, fair hair, a tattered plaid, and a willow-wand in her grip, drives out the village cows to the loaning. Do not think you will meet a gallant Valentine in every English rider, or an Orson in every Highland drover. View things as they are, and not as they may be magnified through thy teeming fancy. I have seen thee look at an old gravel pit, till thou madest out capes, and bays, and inlets, crags and precipices, and the whole stupendous scenery of the Isle of Feroe, in what was, to all ordinary eyes, a mere horse-pond. Besides, did I not once find thee gazing with respect at a lizard, in the attitude of one who looks upon a crocodile? Now this is, doubtless, so far a harmless exercise of your imagination; for the puddle cannot drown you, nor the Lilliputian alligator eat you up. But it is different in society, where you cannot mistake the character of those you converse with, or suffer your fancy to exaggerate their qualities, good or bad, without exposing yourself not only to ridicule, but to great and serious inconveniences. Keep guard, therefore, on your imagination, my dear Darsie; and let your old friend assure you, it is the point of your character most pregnant with peril to its good and generous owner. Adieu! let not the franks of the worthy peer remain unemployed; above all, SIS MEMOR MEI. A. F.

I have received thine absurd and most conceited epistle. It is well for thee that, Lovelace and Belford-like, we came under a convention to pardon every species of liberty which we may take with each other; since, upon my word, there are some reflections in your last which would otherwise have obliged me to return forthwith to Edinburgh, merely to show you I was not what you took me for.

Redgauntlet — Part 20

Why, what a pair of prigs hast thou made of us! I plunging into scrapes, without having courage to get out of them--thy sagacious self, afraid to put one foot before the other, lest it should run away from its companion; and so standing still like a post, out of mere faintness and coldness of heart, while all the world were driving full speed past thee. Thou a portrait-painter! I tell thee, Alan, I have seen a better seated on the fourth round of a ladder, and painting a bare-breeched Highlander, holding a pint-stoup as big as himself, and a booted Lowlander, in a bobwig, supporting a glass of like dimensions; the whole being designed to represent the sign of the Salutation.

Redgauntlet — Part 20