The party had been announced to begin at half-past ten, and it was scarcely that hour when Mrs. Ames came downstairs from her bedroom where she had so long been busy since the end of the early dinner. Her arms were bare from finger-tip to her little round shoulders, over which were clasped, with handsome cairngorm brooches, the straps of her long tunic. But there was no effect of an excessive display of human flesh, since her arms were very short, and in addition they were plentifully bedecked. On one arm a metallic snake writhed from wrist to elbow, on the other there was clasped above the elbow a plain circlet of some very bright and shining metal. A net of blue beads altogether too magnificent to be turquoises, was pinned over her unfaded hair, and from the front of it there depended on her forehead a large pear-shaped pearl, suggestive of the one which the extravagant queen subsequently dissolved in vinegar. Any pearl, so scientists tell us, which is capable of solution in vinegar must be a curious pearl; that which Mrs. Ames wore in the middle of her forehead was curious also. Art had been specially invoked, over and above the normal skin-food to-night, in the matter of Mrs. Ames’ face, and a formal Egyptian eyebrow, as indicated in the illustration to “Rameses” in the _Encyclopædia_, decorated in charcoal the place where her own eyebrow once was. Below her eye a touch of the same charcoal added brilliancy to the eye itself; several touches of rouge contributed their appropriate splendour to her cheeks.
The long tunic which was held up over her shoulders by the cairngorm brooches, reached to her knee. It was a little tight, perhaps, but when you have only one Arab shawl, shot with copious gold thread, you have to make it go as far as it can, and after all, it went to her knees. A small fold of it was looped up, and fell over her yellow girdle, it was parted at the sides below the hips, and disclosed a skirt made of two Arab shawls shot with silver, which, stitched together, descended to her ankle. She did not mean to dance anything except the opening quadrille. Below this silver-streaked skirt appeared, as was natural, her pretty plump little feet. On them she wore sandals which exhibited their plumpness and prettiness and smallness to the fullest extent. A correct strap lay between the great toe and the next, and the straps were covered with silver paper. For years Riseborough had known how small were her shoes; to-night Riseborough should see that those shoes had been amply large enough for what they contained. Round her neck, finally, were four rows of magnificent pearl beads; no wonder Cleopatra thought nothing of dissolving one pearl, when its dissolution would leave intact so populous a company of similar treasures.