In pointing out that the details of Wilde's life in prison did not affect the manner of his thought, but only provided him with fresh material, I do not wish to suggest that prison was unimportant to him. It might have been. He might, in revolt against it, have made it no more than a hideous accident, stunting his nature by not refusing to allow it to assimilate the black bread that had been thrown to it as well as the sweetened cakes. If he had been earlier released, as he said, this might have happened. He was not released, and revolt was changed to acceptance, and, at last, he was able to say, as he had hoped, that society's sending him to prison ranked with his father's sending him to Oxford, as a turning point in his life. But that is a question for the next chapter, for imprisonment did not radically alter him until he was again in the world.

In prison, however, the anæsthetic of magnificent living was denied him, and he turned to magnificent thought, recovering the power that had been his before popular success had narrowed his horizon.

Oscar Wilde — Part 66

"Knowing the possible, see thou try beyond it Into impossible things, unlikely ends; And thou shalt find thy knowledgeable desire Grow large as all the regions of thy soul."[6]

Oscar Wilde — Part 66

In 1894 he had known the possible, and achieved it in _The Importance of Being Earnest_. But in 1889 he had been trying far beyond it, and now again, in prison, he found his desires growing far beyond the possible, and covering the regions of his soul. He needed an idea that should make this bread-and-water existence one with that of wine and lilies, an idea that should make it possible for him to conceive his life as a whole, and, in the conception, make it so.

Oscar Wilde — Part 66

In _De Profundis_ he tries to make his friend realize what he has scarcely realized himself; the depth of his fall, the twilight in his cell, the twilight in his heart, the nature of suffering, the nature of the sorrow that does not allow itself to be forgotten. He writes passages so poignant as to blind us to their beauty, for sorrow is no less sorrow when it walks in purple than when in rags it lies in the dust. Then, after showing the ruins of his life, he paints a picture, no less poignant, of himself rebuilding that broken edifice with those things that he has hitherto rejected. He has learnt, he tells himself, the value of pain and the virtue of humility. He has once believed that pain was a blemish on creation, and that the sobbing of a child made the gods hide their faces for shame. He now believes that suffering is a means for the purification of the spirit, a fire through which vessels of clay must pass to their perfection. And, for humility, he discovers that there is no defiance so lofty as that of self-accusation. He has been told to forget who he is; life in prison almost compels him to rebellion; but he has learnt that only by remembering his identity, by shifting to his own shoulders the burden of his disaster, and by an absolute acceptance of all that has happened in and to him, will he be able to win the pride that humility confers and that rebellion makes impossible.