Produced by Bryan Ness, Carla Foust and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Minor punctuation errors have been changed without notice. A few printer errors have been changed, and are listed at the end. All other inconsistencies are as in the original. The author's spelling has been maintained.

Dolly Reforming Herself

"THE LIARS," "MICHAEL AND HIS LOST ANGEL," "THE TEMPTER," "THE CRUSADERS," "JUDAH," "THE CASE OF REBELLIOUS SUSAN," "THE DANCING GIRL," "THE MIDDLEMAN," "THE ROGUE'S COMEDY," "THE TRIUMPH OF THE PHILISTINES," "THE MASQUERADERS," "THE MANOEUVRES OF JANE," "CARNACSAHIB," "THE GOAL," "MRS. DANE'S DEFENCE," "THE LACKEY'S CARNIVAL," "THE PRINCESS'S NOSE," ETC.

Dolly Reforming Herself

"Memnon conçut un jour le projet insensé d'être parfaitement sage. Il n'y a guère d'hommes à qui cette folie n'ait quelquefois passé par la tête." VOLTAIRE.

Dolly Reforming Herself

NEW YORK | LONDON. SAMUEL FRENCH | SAMUEL FRENCH, LTD. PUBLISHER | 26 SOUTHAMPTON ST, 28-30 WEST 38TH STREET | STRAND

"Memnon conçut un jour le projet insensé d'être parfaitement sage. Il n'y a guère d'hommes à qui cette folie n'ait quelquefois passé par la tête." VOLTAIRE.

CAUTION--This play is fully protected under the copyright laws of the United States, is subject to royalty, and any one presenting the play without the consent of the author or his agents, will be liable to penalty under the law. All applications for amateur performances must be made to SAMUEL FRENCH, 28-30 West 38th Street, New York City.

NEW YORK | LONDON SAMUEL FRENCH | SAMUEL FRENCH, LTD. PUBLISHER | 26 SOUTHAMPTON STREET 28-30 WEST 38TH STREET | STRAND

"The crescendo of quarrel is most skilfully and drolly arranged;--a scene on classic lines boldly challenging and, what is more, maintaining comparison with Sheridan." Mr. A. B. Walkley--The London Times.

"This new play, by Mr. Henry Arthur Jones, at The Haymarket, is surely as good a comedy as he has ever written.

I should say, in evaluating Mr. Jones, that his greatest asset is his humor. We are grateful that Mr. Jones has that comfortable gift which prevents him from dancing on us--that gift of humor whereby he is content to take us just as we are.