“Not I! Faculty indeed! I have to save all the expense I can. I have made up my mind to have nothing whatever to do with any officials or professionals of any sort or kind; I’m my own architect!”

Now, if a man chooses to be his own tailor, nobody will be much the worse and nobody will much care; but when a man sets himself to “restore” a church by the light of nature, it is a much more serious matter, and it is almost beyond belief what a brisk and bouncing young fellow, with the best intentions, and an immeasurable fund of ignorance to fall back upon, can do without any one interfering with him. You tell him he’ll get into a scrape--that the bishop will be down upon him--that there are such things as law courts. He smiles the benevolent smile of superior wisdom, and dashes on with heroic valour. If he calls himself a Ritualist, he gets rid of the Jacobean pulpit, or the royal arms, or the ten commandments, and sets up a construction which he calls a reredos, all tinsel and putty and _papier mâché_; hurls away the old pews before you know where you are, nails the brasses to the walls, sets up a lectern, and intones the service, keeping well within the chancel, from which he firmly banishes all worshippers who are not males. As for that gallery at the west end where the singers used to sit for a couple of centuries, and never failed to take their part with conscious pride in their own performances, that is abomination in his eyes--that must go of course, “to throw out the belfry arch, you see, and to bring the ringers into closer connection with the worship of the sanctuary.” “I love to see the bell ropes,” said one of these dear well-meaning young clergymen to me. “They are a constant lesson and reminder to us, my friend. Did you ever read Durandus on Symbolism? That is a very precious observation of his, that a bell rope symbolises humility--it always hangs down.”

Trials of a Country Parson — Part 38

But if an energetic young reformer calls himself an Evangelical, he is, if possible, a more dangerous innovator than the other. Then the axes and hammers come in with a vengeance. None of your pagan inscriptions for him, teaching false doctrine and popery. None of your _Orate pro anima_, none of your crosses and remains of frescoes on his walls; St. Christopher with the Child upon his shoulder wading through the stream, St. Sebastian stuck all over with arrows, or St. Peter with those very objectionable keys. As for the rood screen, away with it! Are we not all kings and priests? If you must have a division between the chancel and the nave, set up the pulpit there, tall, prominent, significant; and if the preacher can’t be heard, then learn the lesson which our grandfathers taught us, and let there be a sounding-board.

Trials of a Country Parson — Part 38