In the north-east corner of this court and opposite to the Porta della Carta, is the famous Scala dei Giganti, erected by Rizzio in 1483. At the head of this magnificent Staircase of the Giants, the Doges were crowned with the Cap of Authority. From it an open corridor runs right and left. On the right the Scala d'Oro ascends to the second floor. Only those whose names were inscribed in the Libro d'Oro were permitted to use this stairway, which led to that portion of the Palace occupied by the Doges and their attendant nobles. The continuous suite of magnificent apartments through which the visitor wanders seem full of emptiness and sadly want the stately figures and quaint dress, the sonorous voices and courtly manners of the bygone age that once peopled them and made them live. The gorgeously gilded and coloured ceilings become not only oppressive from their magnificence, but wearisome by their repetition; and despite the great traditions that cling to the Palace and the remembrance of the history made within these chambers, it is with a sigh of relief that one steps out on to the balcony where Justice holds the Scales above our head, and drinks in the balmy air that floats in over the lagoons keeping Venice pure and sweet.

[Illustration: THE LION OF S. MARK'S, VENICE]

Cathedral Cities of Italy — Part 38

Outside on the Riva at the end of the Piazzetta are two columns of granite that were brought to Venice in 1180 by Doge Michiel. One came from Syria, the other from Constantinople. On the capital of one is the Winged Lion of S. Mark, the emblem of Venice's patron saint; an emblem which is to be found in every city in the country that owned allegiance to the Doge's rule. On the other is a figure of S. Theodore, who stands over a crocodile. S. Theodore, it will be remembered, was the tutelary saint of Venice before his deposition on the arrival of S. Mark's body; but this statue was not put up on the monolith until the year 1329. These two great columns look across the water to the isle of S. Giorgio Maggiore, where Palladio's great church stands in its chilly splendour. Beyond are the lagoons and the open sea. The marble-paved landing-stage on which they stand is from one point of view the most interesting part of Venice. On it her great traders and merchants gathered when the long-expected ships from the East came into sight; and as they swept proudly up the channels and dropped anchor opposite, one can well imagine the excitement of the thankful owners who would in a few minutes go on board and learn of the success or failure of the long voyage just ended.

Cathedral Cities of Italy — Part 38