A few years ago the antiquarian world was put into a ferment by what was called the “Shoepira collection,” a large quantity of clay pottery,—gods, votive offerings, images, jars, and other vessels,—with inscriptions in unknown characters, which was said to have been dug up in the land of Moab, beyond the Jordan, and was expected to throw great light upon certain passages of Jewish history, and especially upon the religion of the heathen who occupied Palestine at the time of the conquest. The collection was sent to Berlin; some eminent German savans pronounced it genuine; nearly all the English scholars branded it as an impudent imposture. Two collections of the articles have been sent to Berlin, where they are stored out of sight of the public generally, and Mr. Shoepira has made a third collection, which he still retains.
Mr. Shoepira is a Hebrew antiquarian and bookseller, of somewhat eccentric manners, but an enthusiast. He makes the impression of a man who believes in his discoveries, and it is generally thought in Jerusalem that if his collection is a forgery, he himself is imposed on. The account which he gives of the places where the images and utensils were found is anything but clear or definite. We are required to believe that they have been dug up in caves at night and by stealth, and at the peril of the lives of the discoverers, and that it is not safe to visit these caves in the daytime on account of the Bedaween. The fresh-baked appearance of some of the articles is admitted, and it is said that it was necessary to roast them to prevent their crumbling when exposed to the air. Our theory in regard to these singular objects is that a few of those first shown were actually discovered, and that all the remainder have been made in imitation of them. Of the characters (or alphabet) of the inscriptions, Mr. Schepira says he has determined twenty-three; sixteen of these are Phoenician, and the others, his critics say, are meaningless. All the objects are exceedingly rude and devoid of the slightest art; the images are many of them indecent; the jars are clumsy in shape, but the inscriptions are put on with some skill. The figures are supposed to have been votive offerings, and the jars either memorial or sepulchral urns.